The internet loves you, and it brings you fun things. Today:

Twilight-haters will no doubt have even more to complain about, but I don’t care: Stephenie Meyer’s The Host to be made into a movie.

From Wired: Get to know the Surrogates comic before the movie hits.

Fun little comic page by Matthew Sheret and Julia Scheele.

Jason Aaron has some thoughts on Scalped. You know, the best comic that comes out each month. (He didn’t say that. I did.)

Another story from Wired. I don’t know why I’m linking it, really. Those illustrations are sort of cool, I guess. Who’s the artist? Oh, some guy named Ryan Kelly…

One of the only reviews of Jennifer’s Body that I’ve seen that doesn’t spend half its time complaining about Diablo Cody (see comments on Stephenie Meyer).

I’ll repost this under events, but I found it interesting: from Johanna Draper Carlson, a lecture by Noah Berlatsky, whose blog examines classic Wonder Woman comics.

The Guardian reports that a man who founded the International Church of Jediism has accused a store of religious discrimination.

23-year-old Daniel Jones — or his Jedi name, Morda Hehol — says he was victimized by a Tesco store in Bangor. The crux of the argument? When he entered the store to get some food during his lunch break, store employees told him to take his hood off.

“They said: ‘Take it off’, and I said: ‘No, its part of my religion. It’s part of my religious right.’ I gave them a Jedi church business card,” Jones told the Guardian. “It states in our Jedi doctrination that I can wear headwear. It just covers the back of my head.” Tesco was a little bit more cheeky with its response, saying their main defense is that Luke Skywalker, Obi-Wan Kenobi, and Yoda were all seen without their hoods.

I’ll be honest, I’m kind of torn by this. On the one hand, it’s pretty easy to dismiss the guy as a weirdo for establishing a religion around George Lucas’ film trilogies, but at the same time, if you took out the word “Jedi” there would be some major implications here. What if they told a Jew they couldn’t wear a kippah? If they told a Muslim they would have to remove their hijab? What do you think?

[via Alex Irvine]

I was wondering when this would finally happen.

It’sJustSomeRandomGuy, famous for I’m A Marvel/I’m A DC, has put in his two cents on the Marvel/Disney deal. And it’s a musical!

Ironic that it’s Batman giving the words of wisdom on this deal. Also, what Punisher does to Wolverine in the first part of the movie is hilarious and wrong.

This post on girl power in comics, from Retconning My Brain, is a seriously awesome piece that made me want to read a lot of these books (Power Girl, Batgirl, etc.) more than I already did.

The original “Girl power,” a sugared-up, popified version of what Riot Grrl was, hit when I was in my last years of high school. The late 90s, which brought us post-communications deregulation prefab pop, but also at least sort of acknowledged that women wanted pop culture that was their own, and that there was more to it than fighting over a man on a soap opera. It brought us Xena and Buffy, too.

I’ve never been the type of feminist who is terribly bothered by the word “girl”–if prodded, I can even conjure up a defense of using it as a word that doesn’t contain the word “man,” although that’s really not any less useless to me than spelling woman with a y. At the ripe old age of almost-thirty, I still refer to myself as a girl and usually anyone else who is my age or younger. I’ve even been scolded for it by friends male and female. But I can’t really help it, and I wonder if the twin specters of Riot Grrl and Girl Power are to blame.

I was thinking about Girl Power, while I was writing my generally-happy reactions to the stories, and I remember learning about third wave feminism and discussing Girl Power in my class, and the positives and negatives. You had shows with strong (Xena) or complex (Ally McBeal) female leads, but they were wearing short short skirts (and some of them could have used a sandwich, ahem). You had the Spice Girls saying friends come first (in a way more empowering way than bros before hos, yo) but most of their popular songs were still about finding love or something. I think. I can’t actually admit in public to listening to the Spice Girls. You know.

So. Is the rash of “Girl” comics a revival of this kind of feminism-lite? There certainly has been a trend lately, especially with DC books, toward female leads. Batwoman, Batgirl, Gotham City Sirens (and yes, Marvel Divas) and many more that I’m probably missing because this just isn’t really my area of expertise. The pop universe doesn’t seem to be swinging that way in the dramatic fashion it did in the Spice Girls era, but we do have Twilight and other pop-culture phenomena that are aimed at girls bringing a new demographic to geek culture–check out Vaneta Rogers’ awesome piece on The Fangirl Invasion.

Either way, I have to agree with this statement, again from Retconning My Brain:

What it came down to for me this week was that it was nice to buy a bunch of comics that are led my female superheroes, who are super with or without their male counterparts, but don’t exist in a vacuum of femaleness or solely for the gaze of the male reader. They’re there to kick some ass and be super.

Amen to that.

My friend Tammy wrote a piece about the ladies of Wizard Rock (for the uninitiated, that’s bands spun out of the Harry Potter universe) and the new, growing subculture of, yes, Twilight rock.

But plenty of DIY communities, especially within the indie music scene, are male-dominated and less than female-friendly. The difference in wizard rock is the sheer number of women and girls making the music, and the extraordinary amount of encouragement wrockers and fans provide each other. Many men who are involved in wizard rock actively support their female peers, and the vast majority of wrock music avoids demeaning or stereotypical treatments of women.

Wizard rock has also paved the way for Twilight rock, a small but growing collection of musicians and bands devoted to making music inspired by Stephenie Meyer’s bestselling series. Mostly made up of solo acts and acoustic bands who sing from the perspective of the novel’s many characters, Twirock is overwhelmingly (and, given the book’s fan demographics, unsurprisingly) dominated by women. Katie Parr of the band Bella Rocks! says, “Obviously, Twirock is a branch of wizard rock. We’re still in our young stages, but we are related to them in almost every way.” But Twilight rock doesn’t seem to have the momentum that wizard rock had at the same time in its history, leaving one to wonder if Twilight’s female-dominated readership hinders the growth of its fan-based musical movement.

Most wizard and Twilight rockers will acknowledge that the treatment of women in their source materials is problematic, and some wrockers have also raised questions about gender issues in the scene.

I love when a creative work, whatever that work might be, spawns other creative work, and particularly since Twilight faces a lot of criticism for encouraging girls into traditional gender roles, it’s nice to see girls who love the books taking that love to a very untraditionally feminine place: fronting a rock band.
Of course, there’s the usual downside:

Although there’s no open feud, and a few wizard rockers even have Twirock side projects, Twirockers are often received in the same way that the public tends to characterize all Twilight fans: as screaming, silly girls.

Still, it’s a start. Maybe the more active and involved Twilight fans get, the easier it will be for people to take them seriously–at least as seriously as grown men who call themselves “Harry and the Potters.”

The Yellow Hat Guy over at SuperFunAdventureTime.com has written a convention story that, well, I really wouldn’t suggest trying to emulate:

I walked up to him and spake: “Hi, my name is Ryan Coons…”

“Hey!” said Rob Liefeld. He didn’t even look up at me; he just kept sketching away at yet another blocky, disproportionate, and overly-linear picture of one of my beloved childhood heroes. This time, it was Wolverine, in a mirrored swipe of Jim Lee’s cover for X-Men #11.

“…I am a huge Captain America fan…” I tell him with jazz hands and a huge fanboy gleam. “…and as such, I demand an apology for Heroes Reborn.”

Um… yeah. I’m not trying to pick on anybody here, but anyone who’s looking to get into comics, clearly you should know — DON’T DO ANYTHING LIKE THIS. But more importantly, this crosses a line that I think is just kind of uncool.

As somebody who writes reviews pretty much every week, it’s one thing not to like somebody’s work: everyone has their own particular taste, and nobody’s going to win everyone all the time. BUT — hearkening back to Neil Gaiman’s statement a few months back — comic book creators are not your bitch. Demanding an apology for a story arc from over a decade ago? When does it stop being passionate about an art form, and when does it become abuse for abuse’s sake?

I think the thing that people don’t realize is, comic creators — no matter how much anyone disagrees with their choices — are trying to make a book that that’ll sell well, that people will go to their bookstores and comics shops to enjoy. And while they might not always succeed, I’m not going to demand anything other than they keep trying to innovate and improve. At risk of sounding a bit cliche, despite any technical or story problems anyone might have, these creators aren’t out to smash anyone’s personal canon — they’re hoping they can improve upon it. What say you, Rama readers?

We’ve been over the booth babe controversy enough, and so I’m not going to rehash that here. However, I was struck by one paragraph in this LA Times piece, by Tod Goldberg, on Comic-Con:

It was the zombie issue that brought forth the sociologist in me. Countless women covered in knife wounds and in advanced stages of decomposition happily posed with men (and boys … lots and lots of boys). The booth for “The Blood Factory” — Danny DeVito’s home of short splatter films … which is to say, films with lots of sex and lots of knife wounds, often concurrently — featured two smiling and bloodied hotties wielding chainsaws who posed and vamped for children of all ages. The sexualization of violence was not something I was prepared for even knowing well how undead vampires have become romance heroes in print and film. Sex was certainly in play without violence too — apparently selling any kind of video game is easier if there’s a vacant-eyed woman wearing a Wonder Woman costume in the booth — and in a way it’s nothing new for these kinds of gatherings since even Renaissance fairs use women as objects, but usually those women aren’t covered in open wounds. I’m no prude per se, but it was nonetheless odd to see young boys getting their cheeks pecked by buxom undead women. Maybe not as odd as the gentleman dressed like Bob’s Big Boy, burger and all, but odd no less.

I would say that what he’s critiquing here is not the sexualization of violence–anyone who’s seen Kill Bill or, well, any action movie, could tell you that sex and violence go hand in hand–but the way women are almost always cast as the victims of that violence. In other words, it’s not that there’s violence and sexy women mixing; it’s that those women are dressed as victims of violence and yet are cheerily posing for pictures with men and young boys. It’s the normalization of women-as-victim of violence that is kinda creepy.

That said, I like female monsters, even the undead variety, in my monster movies. Zombies and vampires, after all, keep coming despite the horrible things done to them. That’s what makes them scary, and in vampires’ case, sexy. The monsters are powerful because they are dead and yet they live.

Goldberg juxtaposes women wielding chainsaws (presumably, the blood they are covered in would be someone else’s) with women covered in (fake) wounds here without question, where in fact they’re two very different things, and I would go even further and say that it does matter whether the women covered in wounds are zombies or simply victims.

This goes to the heart of my disgust with “torture porn” films like Saw and Hostel but love for vampires, zombies, and other freaky monsters. Monsters are subversive, uncanny: they violate boundaries. Torture porn movies do nothing but show us splashy violence, the worst of humanity, and quite often reinforce gender roles: male attacker, female victim. A wounded woman who fights back is entirely different than one who is simply a victim, and a wounded woman who comes back as a monster might be the stuff of worst nightmares.

Regular readers here know I love Joelle Jones’ art. You’ll also probably know I love Joss Whedon. So Joelle Jones character sketches for Dr. Horrible comics? WIN.

You can get Phonogram vs. The Fans, the limited-edition Phonogram fanzine that I wrote about here, on Etsy for the low, low price of $5. You want this.

Gail Simone, good and pissed about the EA Games “booth babes” debacle.

Racialicious has a review from the first Asian American Comic Con.

Johanna Draper Carlson talks Girlamatic, which I’d somehow missed out on, so read what she has to say.

One of my favorite bloggers, Renegade Evolution, talks about girls and gaming: “Hey baby, why all the aggro?”

Guillermo del Toro and Chuck Hogan have a cool Op-Ed in the New York Times about “why we need vampires.” Lately I’ve been doing a good bit of thinking about why vampire stories seem to appeal to a teen girl demographic in particular, so this fit right in.

And via BUST, Johnny Depp is set to play a vampire in yet another Tim Burton-helmed picture, Dark Shadows.

Stephenie Meyer, author of Twilight, is set to test the theory that fans are really just out for the hot boys at Comic-Con–she’s going to star in her own Female Force comic. (Can I mention yet again that the name “female force” creeps me out? Referring to women as “females” sounds so animalistic to me…)

Finally, on that note, an interview with Francesca Lia Block on her new vampire young adult novel, Pretty Dead. Since one of the things I’m interested in is why the vampire romance always seems to be older male vampire and young mortal girl (Angel/Buffy, Edward/Bella, etc.) I’m especially intrigued with Block’s book since it reverses that dynamic.

If you’ll excuse me, I think I’m off to watch Angel…

Good morning, ‘rama readers. For those of you, like me, stuck at home while your friends and colleagues get into trouble at enjoy Comic-Con, I bring you a whole bunch of linkage that has nothing to do with Comic-Con! Well, mostly.

From the New York Times, a piece on India’s sliding comics industry, and its turn to animation to save its fortunes.

Inside Out, at Girl-Wonder.org, wants Marvel to can the lip gloss and make real products for women.

Via Comics Worth Reading, Classics Rock!, a blog about songs based on books, is focusing on comics this week. So far we have Green Lantern, Ghost Rider, Magneto, and more.

Blog@’s own David Pepose sent me this to giggle at, and I’m sharing it with you: Twilight-themed tattoos. Actually, some of them aren’t bad, but I feel for the person living their life with a portrait of Robert Pattinson as Edward Cullen inked on their arm. But hey, some people I’m sure think my tattoos are ridiculous too…

NPR’s Marketplace interviews Joshua Dysart about comics.

Finally, in case you are going to SDCC, Racialicious has some recommendations for panels to hit, and will no doubt have some thoughtful coverage of the whole shebang once it’s over.

Robot 6 has an excellent roundtable up about girls and fandom and the drama over Twilight “invading” comic-con. I’m posting a few excerpts here, with my thoughts, but you really should read the whole thing.

Robin Brenner: I find it especially distressing that the SDCC crowd, made up of fans who have been typically dismissed and marginalized by the larger culture including comics fans, fantasy fans, and sci-fi fans, seem to think it’s perfectly warranted to dump on fans who you would think they have a lot more in common with than traits to divide them.

I’ve seen this over and over again, though, in groups gathered around everything from punk rock to politics. When you’re marginalized from the larger culture, in part by choice but in a much larger part than we’d like to admit, not by choice, it’s easy to try to police your boundaries. Maybe it even gives you a better sense that you ARE different because you choose to be and not because your peers don’t understand your passion for the Misfits/Dennis Kucinich/Superman/Twilight. In other words, maybe enforcing the “no girls allowed” clubhousey nature of certain parts of comic fandom makes comic fans feel more special. Groups often define themselves by what they aren’t, after all.

Kate Dacey: The other thing that bothers me about these statements is that many of the folks dissing Twilight have never read it or watched the movie, yet they feel perfectly qualified to assess its merits solely on the basis of who likes it. Teen girls love it, ergo it must be junk.

I’ve taken this on myself, and I still believe it’s true. Listen, ain’t no one arguing you have to like Twilight. But if you haven’t read the damn thing, how do you know it’s crap? It sounds entirely too much like the people who go “You read COMIC BOOKS?” at my day job(s).

Eva Volin: The librarian half of my brain wants to sit the fanboys down and explain to them about the birds and the bees, about brain development, and the statistics on reading patterns and buying habits of girls vs. boys. To remind them that teenage girls have expendable incomes, too, and ask if they’d really rather the girls spend that money somewhere else, like at a chain bookstore, or Hot Topic, or on eBay. Or at the booths in the dealers rooms where they sell cell phone charms of Naruto characters or the twins from Ouran High School Host Club. The librarian half of my brain wants to reason with people who would rather stomp their feet than get with the program and embrace this new generation of fan—a generation who, if encouraged, could save the comics industry.

Um, what she said.

Volin, cont’d: That because I have two X chromosomes I need to have sequential art explained to me in small words and if I’m in a comic book shop it must be because I’m there to buy books for my son or nephew. And to all of that I say, “Bite. Me.”

I’m going to SDCC. I’m going to line up to see the panels I’m interested in. I’m going to cheer for the artists whose work I enjoy. I’m going to ask questions and get autographs and maybe even do a little cosplaying. And I’m going to spend money at booths that have the merchandise I’m interested in. Lots of money. And if you don’t want my business, don’t worry. Call it women’s intuition, but I’ll be able to tell. And I’ll remember. And I’ll take my business, as well as my nieces’ and their friends’ business, to someone else’s booth.

Exactly this. Over the years, I’ve grown exceptionally good at navigating comic shops and the varied reactions of the employees/owners. And I remember each clerk who was condescending, who was rude, and I took my money elsewhere. I’m still here, reading and writing about comics, because I love them and I believe in the medium AND the industry. I am quite certain there’s a place for me in this world. But I’d be lying if I didn’t say that some of the most overt sexism I’ve ever dealt with in my life has come my way through comics. And I don’t mean Wonder Woman’s costume.

So, con-goers and fans, think about all of this when you’re at SDCC and you roll your eyes at the squealing teenage girls (and trust me, I don’t like listening to squealing either). Those girls have money and just as much right to be there as you do. And it couldn’t hurt to be nice to them.

Valerie D’Orazio makes some excellent points over at her blog.

Truly, my heart weeps for those fanboys inconvenienced by 1,000s of Robert Pattinson fans. It is so unfair. And they’re “not even really supposed to be there,” right?

[snip]
Where was this whining when people were going freakin nuts over “Watchmen?” Or when I couldn’t even get through the fanboy phalanx to meet up with friends because of the Hellboy roadblock?

Fandom and conventions are big enough for EVERYBODY. And instead of complaining about “Twilight” fans, maybe somebody should figure out how to get these legions of fangirls to buy more comics.

Seriously. The headline she links–”Female Fans Prepare to Trample Men“–is hilariously ironic because it reflects perfectly the fear in so many articles. The implication that ZOMG WOMEN ATTACK is just so darn Freudian it’s hard for me to unpack it without giggling.

I’m a female fangirl. I have been for years. And I’ve absolutely been trampled at cons–and punk rock shows, and even sporting events, all areas with typical male fan bases that certainly didn’t seem to think anything shocking about being in a room with hundreds of boys and a few girls.

I came to comics through a subculture that, if it had existed back in the day, would certainly have embraced Twilight. As a somewhat overeducated adult, I read the books and saw the movie and thoroughly enjoyed both, if occasionally with the very adult pleasure of laughing at all the wrong moments. I both defend the right to have something like Twilight that is so unabashedly girly that it inspires tons of squealing girls to unload at Comic-Con just for its panel, and despise the tendency to split fandom into two worlds: the comics are for boys, the sparkly vampires are for girls.

Leaving out for a moment the teenage boy sitting next to me at a subway stop reading New Moon on his iPhone (yes, I can recognize the story from a glimpse over his shoulder. What?), why the heck can’t we admit that comic cons were packed full of people fighting for seats before Twilight was thought of, that Hollywood has been trying to find ways to tap into the zealous–and zealously consumerist, willing to buy tons of movie-related merch–comic con audience for a good while now, and that the only thing different when it’s Twilight is that the fans are teenage girls (and their moms, the fear of whom brings up a whole other level of Freudian analysis that I’m REALLY not qualified to do).

So really. Do these guys need to keep Comic-Con a He-Man Woman Hater’s Club that badly, or can they learn to embrace the girls and cross that invisible line between Twilight fans and comic fans? Because who knows, maybe if they dropped the defensive act and realized that more girls in their fandom does not mean less stuff for them, that pop culture is not a finite commodity, maybe more girls WOULD buy comics. And far from that being a problem, it would create more money for comics creators, and thus…MORE COMICS FOR ALL. Win-win.

I’m particularly happy that it’s Friday this week–I’ve got an exciting weekend planned. To kick things off right, though, here are some stories from around the web.

Splash Page is speculating about Twitter rumors that Nathan Fillion and Rainn Wilson had a meeting with DC Comics.

Daryl Cagle’s been posting videos from the Association of American Editorial Cartoonists Convention. This one’s an interview with Mikhaela Reid and Jen Sorenson, two female editorial cartoonists.

More dirt on the terrible idea know as The Crow remake, which maybe isn’t so much a remake? Um, what?

To celebrate the release of The Nobody, Jeff Lemire has some lovely art and linkage over at Standard Attrition.

Since Neil Gaiman is off to accept his Newbery Medal for The Graveyard Book today, check out video of him reading from the book on his tour.

Finally, if you have a spare $20,000 or so, you can get a second-tier Twilight star at your party. No Robert Pattinson or Kristen Stewart, sadly.

The New York Post has reported that two superheroes have done a Very Bad Thing.

Police officers from the NYPD apparently arrested Superman and Batman in Times Square yesterday, after the Man of Steel allegedly “freaked out” and punched an officer in the face. If this is true, what was not reported is that they are still finding parts of the officer in several adjoining counties.

Jokes aside, what apparently happened is Maksim Katsnelson of the Bronx (Superman) and his friend Frank Frisoli (Batman) decided to dress up as superheroes in Times Square. For fun, obviously. But when the NYPD asked for licenses for them to perform in costume in public (!!), Katsnelson apparently threw the first punch, yelling “I’m not getting arrested.”

My favorite quote of all this:

“The Man of Steel didn’t go down with just two officers, it took seven officers!” witness Ryan McCormick said. “He was putting up a good fight. Little kids were like, ‘Mommy, it’s Superman!’”

Guess this can’t be good for Superman’s mayoral campaign for DC, eh?

[Image via the NY Post]

Via Topless Robot, this hilarious video from College Humor:

Don’t worry, it’s not another variant cover, I swear!

John Hodgman, writer, voice actor and professional nerd, gave a great speech over the weekend at the 2009 Radio and TV Correspondents Dinner, in which he grills President Obama over Superman, Conan and Dune.

Whether or not you agree with the man’s politics, it’s a very funny look over the 100 Year War between Jocks and Nerds, and how we nerds have struck back from the icy planet of Hoth. (I won’t lie, though, Hodgman totally schooled me in Dune trivia — and I read that series cover to cover!)

[Via Entertainment Weekly]

After he got through with it, it was a robot in disguise!

Via Topless Robot, there’s a guy (wow, I nearly typed “god”) in Lemoore, California who loved Transformers so much, he built an 18-foot-tall version of Bumblebee out of his yellow Volkswagen Beetle.

The statue, which weighs 1,200 pounds, even has what looks to be a PVC-pipe gun. Simply stunning, even if it stands almost as bow-legged as Tony Danza.

Dear Internet,

I bought not one, but TWO superhero books this week. That’s right, two. One from DC and one from Marvel, all balanced-like. Streets of Gotham (which I really bought for the Manhunter backup) and the Gambit Origins book. I read ‘em, and I’m going to write about ‘em, but not right now. I’m too tired. Instead, I will give you linkage to pretty and interesting things. I promise to write about them soon, though.

In the meantime!

At Comics Worth Reading, the welcome news that Thom Zahler is giving away free comics to the first 75 women who visit his booth at Heroes Con this weekend.

Also there, Ed Sizemore reviews things he picked up at MoCCA, and they’re mostly books I didn’t already talk about. (I do think he’s crazy to not have liked The Unwritten, but I realize not everyone gets as geeked for metafiction as I do.)

Via The Hathor Legacy, a rant about “Strong Female Characters” that I can totally get behind. I also find this wording problematic because it implies that female characters are normally not strong, so strong must be pointed out when it does occur. But read her post. It’s better than what I said.

Shakesville has a good rundown of the sexism in the geek world lately. Seriously, people? It’s really not that hard to figure out that girls like all the same kinds of things that guys do.

This is just kind of a short, sublime post by, well, Neil Gaiman, who does short and sublime rather well.

Our own Rev OJ Flow has shown off his awesome superhero tattoos here a few times. He’s opted for several characters with relatively small representations. Well, one fan had a slightly different idea:

Yup, that’s an actual chest with an actual tattoo of the tattered Spidey costume, complete with battle damage, as posted at GeekStir. According to the recipient of said tattoo, it took over 9000 minutes, or 150 hours to complete. That is one dedicated Spider-fan.

Gavok over at 4thletter! has created a hilarious couple of strips called “Darkseid Minus New Gods”:

Yes, Darkseid. You are the real thing.

Click here to see more of Gavok’s tomfoolery, but you better apologize to Jack Kirby when you’re done laughing.

A lot of fans out there have been campaigning for genre superstar Nathan Fillion to fill the emerald boots of Green Lantern.

Well, Youtube wunderkind Jaron Pitts has taken one step further, with a truly awesome fan trailer, incorporating the Firefly alumnus as well as Kilowog, Tomar-Re, and the Guardians of Oa:

Now according to Pitts’ notes, he’s used clips from more than two dozen propertes, ranging from the Fountain to Iron Man to G.I. Joe, to make this awesome trailer. Talk about some awesome work, right? If you dig it, click the link above and rank him high!

[Link found at Loyal K*N*G]