Mattel has released some brand new images for its upcoming DC action figures, including a brand new Wildcat variant:

But wait — there’s more. Green Lantern fans will be happy with a new three-pack JLU figure set, as well as the towering visage of the Anti-Monitor!

It’s a curious irony that Charles Dodgson is an extremely difficult writer to follow, and yet writers and artists of all kinds are constantly attempting to do just that.

Alice in Wonderland adaptations, parodies, reimaginings, homages, allusions and riffs are as common as can be, yet relatively few of them end up being worthwhile. That’s part of what makes Tommy Kovac and Sonny Liew’s Wonderland (Disney Press) graphic novel such a joy to read.

As difficult as following Dodgson may be, Kovac and Liew actually had an even more difficult task still. Their Wonderland was originally published as a six-part comic book series from SLG, part of the publisher’s 2005 licensing agreement with Disney (along with Haunted Mansion, Gargoyles and Tron), so not only were they doing a comic based on the original Wonderland books, but they were doing a comic based on a beloved, classic animated adaptation of those beloved, classic books.

That can’t have been an easy balancing act to strike, and yet if the creators were sweating at all during the creation of the work, it sure doesn’t come through in the finished product: They’ve produced a comic book that should amuse rather than insult fans of the original prose books, a comic that continues elements of the Dinsey movie without coming across as a cheap cash-in along the lines of the company’s direct-to-DVD sequels and prequels, and, perhaps most remarkably, a comic book that is recognizably theirs.
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It’s a curious irony that Charles Dodgson is an extremely difficult writer to follow, and yet writers and artists of all kinds are constantly attempting to do just that.

Alice in Wonderland adaptations, parodies, reimaginings, homages, allusions and riffs are as common as can be, yet relatively few of them end up being worthwhile. That’s part of what makes Tommy Kovac and Sonny Liew’s Wonderland (Disney Press) graphic novel such a joy to read.

As difficult as following Dodgson may be, Kovac and Liew actually had an even more difficult task. Their Wonderland was originally published as a six-part comic book series from SLG, part of the publisher’s 2005 licensing agreement with Diseny (along with Haunted Mansion, Gargoyles and Tron), so not only were they doing a comic based on the original Wonderland books, but they were doing a comic based on a beloved, classic animated film adaptation of those beloved, classic books.

That can’t have been an easy balancing act to strike, and yet if the creators were sweating at all during the creation of the work, it sure doesn’t come through in the finished product: They’ve produced a comic book that should amuse rather than insult fans of the original prose books, a comic that continues elements of the Dinsey movie without coming across as a cheap cash-in along the lines of the company’s direct-to-DVD sequels and prequels, and, perhaps most remarkably, a comic book that is recognizably theirs.

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The things that spin out of phone and IM conversations between Troy and I would likely shock and disgust most of you most of the time. In this particular instance, though, we were fondly looking back on a gem of a series of shorts produced by Walt Disney Pictures called I’m No Fool. They were basically instructional videos narrated by Jiminy Cricket to tell kids how not to be completely stupid. Here’s “I’m No Fool With Fire” for your enjoyment:

Likely surprising very few, the Narnia film franchise, or at least the next one, Voyage of the Dawn Treader, has found a new home after being dropped by Disney last month. Variety Reports that Fox will distribute and co-finance the film under their “Fox 2000″ division. Walden Media, the owners of the license, already had a working relationship with 20th Century Fox through the shared and appropriately named Fox Walden label. Nothing is in stone yet as far as script and the ever important money question go, but the studios hope to start filming this summer for a 2010 holiday season release. Prince Caspian finished as the #10 grosser at the Box Office last year, and Dawn Treader has a lot of the magic and fantastic aspects missing from the second book/film, which the studios hope will drive higher earnings.

The principal cast, including Ben Barnes as Caspian, Skandar Keynes as Edmund, and Georgie Henley as Lucy are all signed on to return, and casting for the other roles has already moved forward.

[Via]

McG, the director of Charlie’s Angels and the upcoming Terminator: Salvation, has been snagged by Disney to helm 20,000 Leagues Under the Sea: Captain Nemo.

The film will explore the character of Captain Nemo, as he creates the undersea vessel known as the Nautilius prior to the events of the classic 1954 movie.

Disney hopes McG will start production this year. The director will receive $8 million as well as 7% gross.

[Via Variety.]

For the fantasy fans out there, C.S. Lewis’s magnum opus has hit some major problems.

The Hollywood Reporter announced today that Disney has declined “for logistical and budgetary reasons” to jump onboard for a third Narnia film.

Considering the initial plan was for Disney to back a trilogy, this is quite unusual — but considering “Prince Caspian” only hit $141 million domestically versus the $292 million of “Lion,” Disney may simply used this as ballast to tighten their belts in the growing media recession.

An interesting question now is where the series will go next. Considering the influx of children’s book adaptations, including Harry Potter, Despereaux, and the Golden Compass, co-producer Walden Media may have a number of backers to petition. The frontrunner at this point is Fox, who already co-produces films with Walden under the Fox Walden banner.

The third film set to be produced by Walden Media would be “The Voyage of the Dawn Treader.” According to reps, the film would retain all four main characters from the first films, and was slated to open May 2010.

Hey all!

I’m surprised I haven’t heard more buzz about Tim Burton’s take on Alice in Wonderland that will be hitting theaters in 2010.

While there are no pics of Johnny Depp as The Mad Hatter present in the above-linked thread, we do get to see several candid “first look” shots of Mia Wasikowska as a rather pale (and borderline gothic-looking) Alice.

Tim Burton casting a pale and borderline gothic version of Alice?

Really?

What were the chances of that?!?

[Via infdaily.]

• Entertainment Weekly’s Popwatch blog shares the Dr. Manhattan character banner from the Watchmen movie.

• In his weekly Q&A column on MySpace, Joe Quesada spends the entire column answering fan questions, as his regualr partner in crime, Jim McLauchlin, just had a new baby. Congrats to the McLauchlin family and their new son, Logan.

• Johanna Draper Carlson shares the process she went through in judging the Isotope Award For Excellence in Mini-Comics, and lists five other contenders she liked.

• SLG shares progress on the creation of their new retail store.

• This list of 50 facts about Barack Obama says the U.S.’s new president is a fan of Conan the Barbarian and Spider-Man.

• Early Star Wars storyboards. Via.

• 14 movies have been submitted for the Oscar’s best animated feature category, including Wall-E, Kung Fu Panda and the unreleased Bolt.

• Season premiere updates … Lost returns Jan. 21, and 24 returns Jan. 11.

Over on her blog, comics creator Jill Thompson shares some pages she created about five years ago for a proposed Nightmare Before Christmas comic for Dark Horse that neevr saw the light of day. Too bad; I enjoy her stuff, and she’s the perfect choice for a project like this.

Artist Lou Romano shares a bunch of early development artwork from the Disney/Pixar film The Incredibles. I wonder if the image posted above, which Romano calls a “gag drawing,” hints at a possible, darker future for the shape-changing Jack-Jack …

Via Super Punch

This post over at Jim Hill Media is of interest for a few reasons; first, to box office watchers who like to see how the major studios squirm when their summer blockbusters underperform, especially when compared to mega-hits like The Dark Knight. Hill takes a look at Disney’s summer, specifically Prince Caspian and Wall-E, both of which pale in comparison to the performance of the new Batman flick (Then again, what didn’t? At least they didn’t release the X-Files sequel or Speed Racer). Maybe I’m a little jaded after watching too much Entourage, but I imagine behind closed doors quotes like “sucked the air out of the room” probably have a different meaning.

Second, it’s a reminder that studios react to what’s hot by trying to do more of the same. Hill says that Disney’s response to this summer is to look at doing its own comic book-y movies, whether they be new properties like Time Jumper developed with Stan Lee, or adaptations of comics from their upcoming Kingdom Comics division. Which, if you’ll recall, is looking at revitalizing some of Disney’s older live-action movie properties in graphic novel format.

And third, the post is a reminder that once upon a time, Disney employed Jack Kirby to draw a newspaper strip based on their snoozefest of a film, The Black Hole, in the late 1970s. Some of the strips were collected last fall in one of Disney’s checkout aisle digests, in an issue that also featured Art Baltazar and Matt Feazell (a quick search on eBay turns up nothing, alas). Hill ends his piece by saying comic fans would probably rather see all those Kirby strips collected than a new Black Hole graphic novel by Kingdom Comics, and I’d say he’d be right.

The Los Angeles Times takes a look at the copyright issues surrounding the cartoon Steamboat Willie and Mickey Mouse, in particular recent allegations of an “imprecision” in copyright claims dating back to the character’s first appearance:

Film credits from the 1920s revealed imprecision in copyright claims that some experts say could invalidate Disney’s long-held copyright, though a Disney lawyer dismissed that idea as “frivolous.”

So does this mean I can finally publish my Steamboat Willie II: Electric Bugaloo comic? Not so fast, says one legal expert:

No one expects Disney, which declined interview requests, to surrender Mickey without an all-out legal brawl. And the cost of what has been an academic exercise would soar if moved into a federal courtroom.

“Law and equity might line up on the side of forfeiture,” said Michael J. Madison, associate dean of the University of Pittsburgh School of Law. But “Disney has enough ammunition on its side to dissuade all but the most well-financed competitor, or any but the most committed public-interest advocates, from challenging Mickey.”

Also keep in mind that there’s a difference between copyright and trademark … Jeff Trexler talked a little bit about the differences between the two when discussing the Siegel/Superman case here. You can read the government’s definitions of both, as well as patents, here.

Via.

This is an actual exhibit.

– Stan Sakai shares the character designs for Usagi Yojimbo and Gen from the current Teenage Mutant Ninja Turtles cartoon. Setting my TiVo to “stun” …

– Willy Harold Vassaux is creating an Olympic comic. And will our search hits skyrocket if I mention “superhero” Michael Phelps?

– Brigid Alverson and her fellow contributors at Good Comics for Kids discuss Robot Dreams making Oprah’s Reading List for Kids.

– Film.com analyzes the most rabid fanbases — movies fanbases, that is, like Trekkies, Twilighters and Potterheads. They say Harry Potter fans are the most rabid, even more so than Whedon fans, who I would have picked for the top spot.

– “Because I want to set you free.”

– I’m sorry, but that’s just wrong.

– The New Yorker blog interviews Comics Curmudgeon Josh Fruhlinger.

– Tom Spurgeon talks to Abandoned Cars author Tim Lane.

Compiled by JK and Chris.

According to the Daily Mail, maids, bellhops, cooks and dishwashers from all three Disney-owned hotels in Anaheim staged a protest outside the happiest place in the world, with 32 of them being arrested. The protesters — some of whom were dressed as Mickey Mouse, Snow White, Peter Pan and other Disney characters — staged the demonstration over pay, health care costs and other issues related to ongoing negotiations between their union and Disney. They’ve been working without a contract since February.

Historian/Uncle Scrooge writer Geoffrey Blum will be at Comic Relief in Berkeley Aug. 23. The complete press release can be found after the jump.

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Check out the teaser trailer for Up, Pixar’s next film:

It debuted during the Disney panel at the San Diego Comic-Con.

Disney has renewed its first-look deal with Stan Lee’s POW Entertainment.

As part of the two-year agreement, which covers TV, movies, games and other media, Disney has greenlit Time Jumper for distribution across multiple platforms.

The project revolves around an agent of a secret government organization called H.U.N.T. — Heroes United, Noble and True — who has a cell phone that doubles as a time machine. When his brother is lost in time, the agent must find him before a criminal cartel does.

Disney Interactive Media Group’s Disney Online and Disney Publishing Worldwide also will develop their own content based on Time Jumper. A comic is planned, too.

Lee set up three other projects with Disney in April: Blaze, Nick Ratchet and Tigress.

In a follow-up to The Los Angeles Times’ big weekend profile of Mike Richardson and Dark Horse Comics, Geoff Boucher homes in on this interesting, and apparently previously unknown, item: During Marvel’s bleak financial times in the mid-’90s, Dark Horse made plans with Disney to take control of the House of Ideas.

“This hasn’t been out there, but we were in serious talks with Disney about buying Marvel,” Dark Horse founder Michael Richardson told Boucher. “I met with Michael Eisner, who is a good friend of [my mentor, producer] Larry Gordon, and they were going to buy Marvel and put Dark Horse in control of it.”

Obviously it didn’t pan out. But why? A mix of skepticism about Marvel’s financial figures and Disney’s uneasiness about “seeing Wolverine products on the same shelf as Mickey Mouse.”

Be sure to read both articles.

Related: Gerard Way’s favorite graphic novels (Part 1, Part 2)