Frank Darabont shocked fans of AMC’s The Walking Dead last November when he fired the entire writing staff of the successful show. Turns out, Darabont wrote most of the episodes himself anyway but it still raised some eyebrows. The director is finally speaking out about the decision.

Speaking with Deadline, Darabont said the whole thing was “pretty overblown.” “It left the impression that I walked in one day and murdered 12 people. Would you like to know how many writers we were talking about? Two,” he said, “My thought had been that they’d under-delivered, and a change was necessary. I had to do too much of it by myself last year, and that was only six episodes.”

Season 2 is slated for thirteen episodes and the director is not going to be sitting in a room by himself to write all of them. “We hired Glen Mazzara as our Number Two in the room. We consider him our head writer and he’s just a fantastic asset,” he said, “We’ve also got three other staff writers in Scott Gimple, Evan Reilly from Rescue Me, and Angela Kang. Plus Executive Producer Robert Kirkman, who wrote the original comic book, is also writing for us.”

So what’s on tap for Season 2? “It’s fair to say that the first six episodes were teeing up a lot of conflicts that will be more fully explored in our second season,” said Darabont, “We find a growing conflict with our two main guys, Rick [Andrew Lincoln] and Shane [Jon Bernthal]. We’re really excited about putting all of the characters on a chessboard and seeing how wonderfully and effectively we can toss conflict into the game.”

Darabont also mentioned how grateful he is to Kirkman for his understanding when it comes to transferring his beloved comic to the small screen. “He realizes how different the mediums of comics and television are from one another,” he said, “One of the things that really attracted me to this material in the first place was how smartly Kirkman incorporated the characters and their journey in trying to survive and better themselves in this world. It was a really adult approach. And because we’re a TV series, we’ve hopefully got years to flesh out that story and all of the aspects of who they are.”

The director also said he worked for five years to get The Walking Dead on television before AMC picked it up but that the network has been good to them. “We certainly get notes, but nothing that we believe doesn’t make sense. We feel very much in partnership with AMC,” he said, “Sometimes we have to compromise, sometimes they do. But we have to admit that a lot of the stuff they’re telling us is sensible, and none of it’s dumb. Believe me, I’ve gotten a lot of dumb notes in my time, and after 25 years in the business I can tell the difference.”

Asked if he’d given much thought to the upcoming Emmy Awards Darabont said, “You know, a little bit. And it’s awesome to be a part of that chatter. We were just blown away to get nominated for a Golden Globe, a DGA award, and a WGA award in our first year. But that stuff is out of our control.”

I’m just gonna go ahead and say it. I think Captain America: The First Avenger is going to be the best comic book movie this year. First debuted 11 days ago at the Hero Complex Film Festival in Los Angeles, the latest (and presumably final) trailer is now online:

So…much…awesomeness. I’m actually tingling.

Red Skull! HYDRA! GRENADE JUMPING!!! July 22 can’t come fast enough and the fact that it’s during San Diego Comic-Con is so frustrating.

The answer? The intended story.

The original solicitation for Superman #712:

Meet Los Angeles’s newest super hero in the latest Chapter of “Grounded”: Sharif! But Sharif discovers that in today’s current cultural climate, some people don’t want his help – they just want him gone. Can Superman aid Sharif and quell a prejudiced public, or are there some problems too big even for the Man of Steel to solve?

That was a story written by J. Michael Straczynski and Chris Roberson, part of the long-delayed “Grounded” arc, originally solicited for June 8. DC sent out a media release late yesterday that states:

Please note the new contents for SUPERMAN #712, now written by Kurt Busiek with art by Rick Leonardi, a cover by Carlos Pacheco and Jesus Merino and a variant cover by Stanley “Artgerm” Lau.

This fill in issue contains a lost classic, Lost Boy: A Tale of Krypto the Superdog, set shortly after Superboy died in Infinite Crisis and Superman went missing.

DC Comics determined that the previously solicited story did not work within the “Grounded” storyline. However, Chris Roberson, will be back for the final two issues of Superman’s year long walk across America. As we near the conclusion, catch up with Superman next month as he makes stops in Portland and Newberg, OR.

SUPERMAN #712 is scheduled to arrive in stores on June 22.

Hmm. Well, that’s cool that the Busiek story is finally seeing the light of day and hey, Krypto! Who doesn’t love Krypto? But what happens to the Sharif story now? According to DC’s website, Superman #713 has Superboy and Supergirl meeting up with Clark in Portland, #714 in Seattle for his last stop. Does that mean the original #712 is canned for good? Here’s the cover  for the new Superman #712:

The intended story revolved around a non-white hero coming into contact with prejudice in America. With all the flack DC has gotten recently for its patriotism (or lack thereof), is it any wonder this story got pulled at the last second? Roberson spoke with Newsarama back in March about the character Sharif:

I didn’t create Sharif so much as I salvaged him from the back issue bins. The defender of Los Angeles is a character who appeared as a teenager in the pages of the Superman titles back in the early ’90s (and drawn by none other than Curt Swan, as it happens!), but we’re meeting him here a few years later, when he’s taken on a new costumed identity in his new hometown.

Like Superman, Sharif is a character with powers and abilities far beyond those of normal folks, who came to this country as a child and grew up dedicating himself to Truth, Justice, and the American Way. But the fact that he comes not from an alien world but from another country here on Earth complicates matters for him, and he quickly learns that some people have a different idea of what “The American Way” is all about.

I have no idea whether the Busiek/Krypto story has been altered since it was first intended to be released but this is a questionable move to say the least. Will the missing “Grounded” piece affect that story at all? I’m betting not since it’s been so all over the place for the last few issues anyway. And that’s not a slight to Roberson, it’s just, what do you expect when you’re working from an outline? Any way you slice it, fans are not going to be happy about this move.

So the Krypto story was originally solicited for Superman #659. If we go by those numbers that means we should see the Sharif story in Superman #765, right? Oh wait, make that Superman #51…

Warner Bros. isn’t letting a not-so-successful weekend at the box office hold them back from promoting their next big Green Lantern project. Here’s our first promo trailer for the new animated series.

The official website is now up as well. The series is centered around, who else? Hal Jordan. But in the clip we get looks at Salaak, the Guardians, Kilowog and…I couldn’t make out who the last one was. Regardless I’m really wondering how the series is going to do now that the film didn’t hit as big as they would have liked. Although, this show is obviously aimed at a entirely different demographic so you never know.

I saw a preview of the series at New York Comic Con last year and it’s definitely different than any of the other Warner Bros. animated series. It’s 3-D computer generated animation which puts me off a bit because I’m such a fan of their classic techniques but I’ll watch it regardless because there’s going to be Red Lanterns. Bruce Timm also mentioned the inspiration for the animation on the series was from Pixar’s The Incredibles and that he wasn’t worried about the success or failure of the film affecting the television show. You can read more details from the panel here.

The series will premiere on Cartoon Network later this year and stars Josh Keaton as Hal, Michael Clark Duncan as Kilowog (same as in the live-action film), Richard Green as Sinestro and Robert Englund as Hector Hammond.

With Oracle gone from the DCU, it was only a matter of time before the Birds of Prey put their headquarters in the Gotham Clocktower up for sale. Did you know it actually resided in Brooklyn, New York?

Located at 1 Main Street in Brooklyn, the building overlooks the Manhattan Bridge and the New York Harbor. I’m not making this up. There actually is a Clocktower building. In fact, I was just telling Gail Simone about it last week. I see the building while driving into Brooklyn to see my boyfriend and every time I thought, “Man, I gotta look up that building so I can write about its amazing likeness to the Birds of Prey headquarters.” The last time I drove by, I even thought how cool it would be if the clock part of the building was an actual apartment. Sure enough, this listing popped up on Yahoo news.

The actual Clocktower portion of the building holds a triplex penthouse apartment. In 2009, the asking price for the whole shebang? $25 million. Well a few months ago it went back on the market (I can’t believe there weren’t any takers!) for a mere $23.5 million. Turns out, the wealthy Gothamites, I mean, Brooklynites, weren’t biting on the 7,000-square-foot abode. So they decided to try something else.

The gigantic apartment is now for rent instead. For $50,000 a month. Well in THAT case! *reaches into pocket*

Currently, the Clocktower apartment sits atop Brooklyn’s most-expensive real estate list. The website Brownstoner writes, “According to StreetEasy, second-place honors go to 11 Cranberry, which can be had for $22,000 a month.” More details from the New York Times, “The main floor of the sleek modern apartment is dominated by four working clocks housed in four 14-foot-high round windows, which provide nearly unobstructed views (except for the clock faces) out to the four points of the compass.

“The 3,000-square-foot main floor has an open living room, dining room and kitchen with 16-foot-high ceilings,” writes the NYT, “There are three bedrooms on the 2,300-square-foot second floor (watch your head as you walk along the exterior walls), and on the floor above that, a 988-square-foot open loft with a 15-foot ceiling. Finally, up a narrow staircase at the very top of the building is a tiny windswept crow’s nest.”

There’s no name listed on the building, just a company. But that’s classic Oracle. I’m sure the real ownership runs through several dummy companies anyway. And just for the record, there’s an elevator in the apartment.

If you like hearing a grown woman cry, follow me on Twitter. I’m weeping over this. And buying a lottery ticket.

Mums the word. That’s been the motto for Christopher Nolan’s The Dark Knight Rises so far. Since filming began we’ve have very tiny bits of information leak out but it seems something big has finally made its way to the internet.

The information isn’t a specific location or plot point per se but opens the flood gates for speculation. For those who think they can avoid it until the film’s release on July 20, 2012, I’ll put the exact information under the cut. SPOILERS FOLLOW. (more…)

Once a week I sift through the millions of Etsy listings to find the best in geek chic for Blog@ readers. Last week I went old-school with classic Nintendo items but this week was, I guess you could say, chosen. Hal Jordan and the Green Lantern Corps are flying into theaters this week for the first time and I can barely contain myself. Here are a bunch of unique Green Lantern items I found for you.

Every Lantern Corps has a ring but what if you had one ring…to rule them all? Check out this Sterling Silver Green Lantern Corps Ring that includes ALL the Corps’ symbols. User blackmore5253 (is that their Sector number?) can make this in sizes 6-15 for $69.99. And comic/genre fans will want to check out other items in the shop as well methinks…

Second best thing to having a Ryan Reynolds of your very own to hug and squeeze? This adorable GL Plushie is from user Googooli. It’s 10 inches long and only $6! How can you resist those pink cheeks?

For aspiring comic artists, check out this Vintage Green Lantern Recycled Comic Book Sketchbook. Made using Green Lantern Corps #211 from 1987, user crabappledesign threw in the front and back of the comic as well as a few ads to the overall design. $18

Want something a little different to show your GL pride? How about this Green Lantern Wall Art. Made from wood by user Sanchezz for $25.

And just for the sheer ridiculousness of it, a Green Lantern Lantern. User erindara will send this one to you for $75. In Brightest Day, In Blackest Night, I’ll have my Green Lantern Lantern to keep things bright!

As always, bear in mind, since Etsy is a craft website and not a commercial, mass-market dealer, items are almost always one-of-a-kind or in very limited availability. When you see something you like, buy it. It may not be there the next time you surf round. (Yes, it’s a very dangerous site for your wallet.) Also, since most items are created individually, many sellers are willing to customize something specifically to suit your needs. Just ask!

It’s great to see well-deserving comics getting adapted to films. The latest? Evan Dorkin and Jill Thompson’s Beasts of Burden from Dark Horse.

The news comes today via The Hollywood Reporter who say Shrek and The Chronicles Of Narnia director, Andrew Adamson, will be the one to bring the comic to the big screen. “Adamson is producing what is intended to be a CG-animated feature adaptation with his Strange Weather Films partner Aron Warner along with Mike Richardson of Dark Horse Entertainment,” writes THR.

Dorkin and Thompson have both won Eisner Awards for their work on the story they created which revolves around a group of dogs and one cat who team up to save their owners and others after a supernatural event happens in the town of Burden Hill.

Besides what seems like a great choice for director, looks like they’ve got a good effects team on board for the film as well. According to THR, “Burden is being made by Reel FX, the company run by former Industrial Light and Magic senior executive Ed Jones and former Walden Media CEO Cary Granat, and that specializes in CG as well as live-action hybrid projects.”

“Dark Horse Entertainment’s Keith Goldberg is executive producing with Strange Weather’s Jeff Fierson co-producing” writes THR, “Reel FX’s head of feature development Jared Mass will oversee the project for the studio.”

Congrats to both Dorkin and Thompson! It’s very exciting news for them to be sure and I look forward to seeing this in theaters. What about you?

It’s safe to say DC’s news of turning Barbara Gordon’s Oracle back into her previous persona of Batgirl has rattled a few cages. Mine for one. But the great thing coming out of this distressing turn of events is the visibility it’s giving to the physically challenged. Now one artist is calling you to arms to help keep that exposure going.

Much like the Adam Hughes commission above which shows Oracle in all her glory, artist Elena Barbarich, known as Yamino online, is suggesting any and all artists get their preferred tools out to illustrate Ms. Gordon in her chair. Yamino writes on her Tumblr, “I think we should do a big Oracle Draw-a-thon, to support visibility for disabled characters in mainstream comics, and comics in general.  Heck, it doesn’t have to be just visual art. How about an Oracle Create-a-Thon? Whatever it is you do, fanart, fanfic, music, sculpture, cakes…. let’s do it!”

Yamino, creator of the webcomics Sister Claire and Nightingale, wants some help reaching out and organizing and since I know a few people who know a few people, I figured I could help out a bit. Feel free to send your creativity to me to post on my Tumblr (EDIT: The official Oracle Create-a-Thon Tumblr has been made!) and spread the word to artists everywhere. Show Oracle being blocked by obstacles or overcoming them but most importantly, show her as the strong, capable character she is.

Amidst the mass of DC publishing news the last two days, two of their creators have just inked a deal to bring their creator-owned comic to life on the big screen. Peter Tomasi and Keith Champagne’s The Mighty has just been picked up by Paramount.

Deadline reported the news but there’s not much else to tell except to say, “Mary Parent’s Paramount-based Disruption Entertainment will produce. Parent and Cale Boyter will produce with Benderspink’s JC Spink.”

Not connected to the heroes in the DCU, The Mighty was a maxi-series from 2009 that tells the story of Alpha One, the world’s only superhero. He’s supported by a police organization called Section Omega. At Section Omega, Lt. Gabriel Cole has a personal history with the hero who once saved his life as a child. But when a murder happens within Section Omega, Cole does some detective work that leads him in a direction he wasn’t expecting.

I actually really enjoyed The Mighty. With Tomasi and Champagne writing and Peter Snejbjerg on art, it was a nice detour from DC’s usual hero fair. I’d recommend picking up the trade. Congrats to them on selling the property.

This is one of those wonderful times that I get to just let the post speak, or as the case may be sing for itself. If you haven’t heard nerdrock group Kirby Krackle’s Green Lantern themed song “Ring Capacity” yet, now it’s easier than ever to take in with their all-new animated video! Check out the video below, then hit the jump for information on the animator and links to more Krackle-y goodness!

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Approximate Continuum Comics
Written & Illustrated by Lewis Trondheim

Translated by Kim Thompson
Lettered by Stephanie Noell & Priscilla Miller
Published by Fantagraphics

Lewis Trondheim is one of Europe’s best cartoonists.

Let me revise that: Lewis Trondheim is one of the world’ best cartoonists. He happens to be French, however, and not all of his books are available in English, so it’s always exciting when something new comes to the States. (In the interests of complete documentation, the first half of Approximate Continuum Comics was previously serialized in English, but the latter portion was not – and I didn’t know Trondheim’s work at the time and missed the first half its first time around. So it’s all new to me.)

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It seems a lot of comic creators are having tough times these days when it comes to healthcare and related issues. Colorist Moose Baumann is the latest on the list.

Baumann, colorist on covers of Green Lantern, 52, Flash Rebirth and more, is looking for help to get himself and his wife out of an extraordinary $90,000 in debt from medical expenses. Baumann recently spoke with Newsarama about his plight. Here’s what he told us:

A few years back my wife had breast cancer. She had chemo and a partial mastectomy, and we thought things were good. A year later we found out that it had spread, and she went in for more chemo and surgery. Several months prior she had lost her job and her insurance, and because of her “prior condition” she no one else would insure her. So we’ve been working on paying off the full cost of her medical bills for the past two years, just north of $90 grand.

Right now work is scarce and money is super tight, and on June 1st it looks like we may lose our home because of all of this. I’m trying to sell some prints of my work online to make some quick cash, and hopefully keep my home. I’m reluctant to ask for help, it’s embarrassing, but I’m at the end of my rope.

Baumann is currently selling prints of his work which you can preview here. People can email the artist at moosebaumann [at] mediacombb [dot] net to place orders. He’s accepting both Paypal and money orders. If you’ve enjoyed any of his work, please consider helping the guy out.

Marvel Masterworks: Fantastic Four v. 3-6
Written by Stan Lee
Co-Plotted & Penciled by Jack Kirby

Inked by George Roussos, Chic Stone, Frank Giacoia, Vince Colletta & Joe Sinnott
Lettered by Art Simek & Sam Rosen
Color Reconstruction by Michael Kelleher & Kellustration, and Wil Glass & All Thumbs Creative
Published by Marvel Comics

I’ll be forever grateful to Marvel for putting their Marvel Masterworks series in softcover. I’ve read a few Essentials – their 500-page black & white on newsprint paper omnibuses – but I’d prefer to see these classic stories in color on a slightly better paper. The hardcover Masterworks, I told myself often, “I’ll get around to them.” But I kept not getting around.

And to give you an idea how far behind my reading pile has gotten, I sat down last week and read four consecutive volumes of classic Stan Lee-Jack Kirby Fantastic Four comics. And they’re a blast.

I can’t truthfully say that they age well. It’s not only the dated pop culture and world event references, but it’s hard to imagine a heroine today being so disrespected as Sue Storm is repeatedly throughout these stories – and most often by her two romantic suitors!

Despite these awkward, and often hilarious moments, the stories are still totally entertaining. Sure, there are a few odd plot quirks, but they’re fun, and crazy adventurous. Lee and Kirby infuse the characters with playful personalities, a little pathos, a little banter, and plenty of personality (Ben and Reed in particular). By book four, multi-issue storylines have begun, creating a broader, more intricate tapestry. In book five, Joe Sinnott becomes Kirby’s inker, creating the Fantastic Four imagery that readers remember best. Book six takes all the groundwork laid in previous books and builds one of the most cohesive and multi-threaded plots in superhero comics history.

Most of the foundation of the Marvel Universe is established in these pages. And many readers will want to see that history. But to me, I just love seeing these exciting stories for myself. The burgeoning cosmology of the series, Lee and Kirby’s playful undercutting of their own narrative conventions, the beautiful artwork (my only complaint: the garish color on the covers makes them look hideous!), the snappy dialogue, the purely fun stories. The books are a delight, and highly recommended.

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Yotsuba&! v. 8-9
Written & Illustrated by Kiyohiko Azuma
Translated by Amy Forsyth
Lettered by Terri Delgado
Published by Yen Press

When I get a new comic, it gets slotted onto the bottom of my towering to-read pile. The exception to that rule is Usagi Yojimbo, which I always read immediately when a new book emerges. If I were to make two exceptions, Yotsuba&! might be the second such title.

Each chapter is titled “Yotsuba & something“, and that chapter follows our youthful protagonist as she, wide-eyed and full of wonder, explores the world around her. With absolutely hilarious results. In these two books, Yotsuba attends a school festival where her friend and neighbor’s class is distributing cake. She flies in a hot air balloon. Opposites, teddy bears, restaurants, typhoons and schedules also find their way into Yotsbuba’s inquisitive, excitable gaze.

Kiyohiko Azuma is a master at blending slapstick timing with innocent, childish enthusiasm. Yotsuba’s continual amazement and delight make her appear too young for her age, but Azuma’s ability to play the rest of the cast off her reactions only makes every situation that much funnier. With its warmth, affection and gee-whiz humor, Yotsuba&! stands out as something totally unique on comic shelves today. It’s easily one of the best books I’m reading, and well worth checking out.

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The Nobody
Written & Illustrated by Jeff Lemire
Lettered by Sean Konot
Published by DC/Vertigo

In Jeff Lemire’s first book from Vertigo The Nobody, he appropriates the protagonist of H.G. Wells’ The Invisible Man to explore a theme obviously dear to Lemire, the interconnectedness and occasional small-mindedness of small towns. John Griffen, bandaged head to toe, arrives in Large Mouth, where everyone knows everyone, checks into the local hotel and stays to himself.

Lemire explores Griffen’s tenuous friendships and the community’s complicated sense of acceptance and respect for privacy against a simultaneous and conflicted urge to question this stranger in their midst. Like his Essex County books and his Vertigo serial Sweet Tooth, Lemire’s The Nobody moves slowly, contemplatively, focusing on the small moments in ordinary lives.

With his rough-hewn artwork, Lemire captures the worn-in quality of Large Mouth and its residents, and his natural dialogue draws readers into their lives quickly. The characters aren’t the deepest you’ll meet, but Lemire provides a range of personalities, and the major players have a few wrinkles to keep them interesting. The haunting plot pulls readers in, and everything builds to a tragic, and effective climax.  The Nobody‘s another worthwhile offering from a cartoonist with a talent for mood and small-town exploring.

Neil Young’s Greendale
Based on the album by Neil Young & Crazy Horse
Written by Joshua Dysart
Illustrated by Cliff Chiang
Colored by Dave Stewart
Lettered by Todd Klein
Published by DC/Vertigo

I already reviewed this one a while back, but that was based on a black and white advance copy. I got a permanent edition, finally took time to read it during my 2011 dig-out, and wanted to give some props to Dave Stewart. Greendale‘s a beautifully colored book, soft (maybe a little too soft at times) and organic, warm and inviting. Lots of cool, natural tones.

DC did a very nice job assembling the book also, something I rarely feel they deserve credit for. It’s an attractive package. The script holds up well – Greendale‘s not exactly nuanced, but it’s engaging and fun to read, and my sympathies lie along its message. And Cliff Chiang, man, that dude makes it look fantastic.

More unfortunate TV news today. Deadline is reporting the adaptation of Joe Hill’s comic Locke & Key from IDW is not being picked up by Fox for the fall season.

It seemed hopeful for the series to get picked up, it was adapted for television by writer Josh Friedman, who previously worked on Terminator: The Sarah Conner Chronicles for the network and had Miranda Otto, Nick Stahl, Mark Pellegrino and Jessie McCartney in starring roles.

The comic, illustrated by Gabriel Rodriguez, tells the story of the Locke family who endure personal tragedy and move away from the horrors only to find more. The three Locke children discover their family house contains keys that do lots more than open locked doors and there are supernatural forces at work that will do anything to obtain them.

Deadline said there were rumors Fox could make a limited series/miniseries out of Locke & Key but weren’t sure if it was something financially feasible for the network. Turns out, that’s not going to happen either. The only hope to come out of this news is both The Hollywood Reporter and Enterainment Weekly say Locke & Key could be retooled for a later premiere or shopped elsewhere now that Fox has passed.

I’m incredibly bummed about this one, Locke & Key is one of my favorite comics. If you haven’t already, I suggest giving it a look, both the writing and art are phenomenal.

Um, wow. This page of Frank Miller/Klaus Janson art from Batman: The Dark Knight #3 just sold at auction for a record-breaking $448,125.

The page was sold through Heritage Auctions to a private bidder. From the auctions description:

This splash page is to our minds the single most memorable image from the entire book and the greatest image from the decade ever to come to market — as well as one of the handful of most desirable pieces of original comic art from any era to come to market. A perfect stand-alone image of Batman and Robin (Carrie Kelley, the first female, full-time Robin) soaring high above Gotham City, an icon symbolizing the entire storyline — this one has everything going for it.

As demonstrated by the fact that we’ve only offered two Dark Knight panel pages previously — and the fact that no splash page, much less a such an undeniably classic image, has never been offered at auction — artwork from the famed series is much scarcer than anything else from the period. This gem has been locked away in a single collection since being purchased upon the series’ original publication and is the definition of “fresh to market.” And unlike many pages from the series, where differences between the original art and the published version are evident (as a result of Miller making changes on pasteovers), no changes were made to this artwork for publication, and the original contains no paste-ups or stats — it’s pure art, just the way it appeared in print.

The art comes from page ten of the story, “Hunt the Dark Knight” in the now-famous arc and according to the website had fifteen bidders vying for the chance to own it. The Hollywood Reporter says, two other pages, page 2 from issue #4 and page 2 from issue #3 sold for $41.8K and $13.1K respectively. Previously, page #8 from Amazing Spider-Man #50 with art by John Romita Sr.  sold for $88,500. This sale shatters that record.

While a staggering number (I wonder how Miller feels about it), I’m not surprised a piece of original art went for this much, I’m just surprised it hadn’t happened sooner. After all, classic issues themselves now sell for $1 million plus easy.

Do you think $448,125 for a page of art from this issue/artist is justified or outrageous? What piece of comic art have you always had your eye on? If you had unlimited funds, what could you see yourself paying for it?

And so the great dig-out of 2011 begins. I’m cutting back on the library for a little while. With all the review comics I get, some library books sprinkled in, and a few comic strip collections, and the prose books I squeeze in as often as possible, I’ve basically not read a single comic that I’ve purchased for myself since last August.

It’s gotten a bit ridiculous. I’m talking about nearly 70 books (including a few rereads, mostly for reasons that’ll become clear about two paragraphs down) piled up on my end table. They’re going to collapse one night and kill me in my sleep, I’m convinced. So it’s time to whittle that bastard pile down, come hell or high water.

So over the new few months, you’ll see some … not very timely reviews. But I’m going to get it all read, and you’ll see what I’ve been missing out on.

Young Liars v. 1: Daydream Believer
Young Liars v. 2: Maestro
Young Liars v. 3: Rock Life
Written & Illustrated by David Lapham

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