• Invincible Iron Man writer Matt Fraction contrasts the love lives of Tony Stark and … Captain America? “… I would love to write a story about Tony Stark’s complicated love life. It’s an aspect of his character, that’s for sure. [It's like] in the movie, when he goes to bed with the angry reporter from Berkeley; you can imagine that same reporter with a similar line of questioning with Captain America, but you can’t imagine Captain America seducing her later. But with Tony, you can, so we should absolutely take advantage of it.” [The Washington Post]
• Cartoonist Bill Griffith discusses Zippy the Pinhead as a cottage industry, and the financial impact of his website: “Over the years, income from the Zippy website has gone from about a third of my annual income to about a half — in other words, the website has doubled my income. Most of my Web income is from sales of Zippy originals — the original artwork of the daily strips — as well as signed prints of strips and original art from my underground days.” [The Hartford Courant]
• Ignatz nominee MK Reed talks about the collaboration process: “It’s been very different from working on my own, and there was definitely a learning curve figuring out how Jonathan [Hill] was most likely to work out different parts. I’ve been working with him for over a year now, so we’ve kind of gotten things together by this point, and there’s a lot less arguing about how certain things should look or what needs to be corrected. Jonathan is insanely talented and I know he car handle pretty much anything I throw at him. Because he’s a more talented artist than I am, I can actually make up completely crazy detailed things like crowd scenes in a supermarket, and know they’ll look awesome.” [New York Daily News]
• Alex Irvine, author of The Vertigo Encyclopedia, considers the influence of the DC Comics imprint: “… I think it’s probably safe to say that the success of Vertigo had a lot to do with DC and Marvel being willing to take their regular universe books in more mature directions. Also, the Sandman phenomenon brought so much attention to comics in general that it created a huge new appetite for comics with a certain kind of attitude. This in turn meant that people who had worked primarily in indie and underground comics — David Lapham comes to mind, or Paul Pope — had a chance to put their work in front of new audiences.” [Omnivoracious]