Greetings, Blog@teers — have we got some news for you!

For the past six months, a webcomic has been featured by Ain’t It Cool News and CNN, celebrated for its action, characterization, and respect for the blaxploitation films that inspired it. As its creator notes, it’s Super Fly meets The Equalizer, the step-child of Shaft and Rip Kirby, a love letter to the Black action films of the 1970s. For some, it’s street justice like you’ve never seen — and for those on the run, well, all that’s coming their way is a WORLD OF HURT.

And in keeping with our mission to deliver the best and the brightest to you, our readers, we are proud to announce that WORLD OF HURT will be making its second home at Blog@Newsarama, as the latest in our weekly webcomics series. We sat down with writer/artists Jay Potts about the comic, his blaxploitation inspirations, and what the future holds for Isaiah “Pastor” Hurt.

Newsarama: Jay, just to start out with, can you tell new readers a little bit about what World of Hurt is about?

Jay Potts: WORLD OF HURT is a weekly, black & white serial adventure webcomic that is my personal love letter to the Black action films of the 1970s and the Golden Age of newspaper adventure strips.  It is set in the early1970s in the city of Pointe Blanc, a fictional version of San Francisco and Oakland, and follows the exploits of a Black troubleshooter named Isaiah “Pastor” Hurt.

Nrama: In terms of getting to know you a little bit — what’s your background been in terms of comics? Is World of Hurt your first one, or have you been building up this?

Potts: I’ve been drawing since the age of four and have been a comic book fan for just as long.  However, it wasn’t until I entered the graduate program in Sequential Art at the Savannah College of Art and Design in Savannah, GA in 1997, that I received any formal instruction.  What I learned there about storytelling and composition, and the exposure to an incredible range of talent, was truly eye-opening.

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Warner Home Video keeps putting all of DC Comics’ animated properties on DVD, and my shelving may need a expansive upgrade. Courtesy of TV Shows on DVD (THE BEST website devoted to, well, TV shows on DVD), WB made available a press release on their latest offering from Super Friends: Season 1, Volume 1.

You can read the press release for all the details of this January 5, 2010 release, but the main gist of this is that we finally got the “Wendy & Marvin Years,” the ones that first put Super Friends on the map. I believe they are also the only SF episodes narrated by the late great Ted Knight, a voice acting staple of DC Comics’ animated output in the 1960s. My only complaint at the moment is the DVD cover art. I never have a problem with the classic stock art by Jose Luis Garcia-Lopez, but considering that every previous release did something a little more original, refurbishing art from the actual series, this seemed like an uncharacteristically lazy way to go. Plus I can get real nitpicky and point out that the Wonder Woman on this cover is sporting a costume that did not grace the pages of her own comic until almost 10 years later. Considering that this volume has the distinction of featuring Wendy Marvin & Wonder Dog (not to mention guest appearances by the Flash, Green Arrow and Plastic Man), it’s a shame they didn’t work with that into a more unique cover design.

The internet loves you, and it brings you fun things. Today:

Twilight-haters will no doubt have even more to complain about, but I don’t care: Stephenie Meyer’s The Host to be made into a movie.

From Wired: Get to know the Surrogates comic before the movie hits.

Fun little comic page by Matthew Sheret and Julia Scheele.

Jason Aaron has some thoughts on Scalped. You know, the best comic that comes out each month. (He didn’t say that. I did.)

Another story from Wired. I don’t know why I’m linking it, really. Those illustrations are sort of cool, I guess. Who’s the artist? Oh, some guy named Ryan Kelly…

One of the only reviews of Jennifer’s Body that I’ve seen that doesn’t spend half its time complaining about Diablo Cody (see comments on Stephenie Meyer).

I’ll repost this under events, but I found it interesting: from Johanna Draper Carlson, a lecture by Noah Berlatsky, whose blog examines classic Wonder Woman comics.

I am off to Bergen Street Comics’ release party for Beasts of Burden tonight, so I’ll save my thoughts on the comic for tomorrow. For now, have some linkage:

Johanna Draper Carlson did not much like the Whiteout movie.

Warren Ellis asked artists to Remake/Remodel Black Orchid. He must’ve asked VERY nicely…

Some thoughts on comics and race in an interesting discussion thread on Racialicious.

The Rumpus brings you a review of Shane Acker’s 9.

I have to say I sort of miss the days when Brian Wood did his own DMZ covers, but there was something about JP Leon’s cover to #45 that really struck me. I’m the furthest thing from an art critic, but there’s something oddly intense about the shadowy back here, the broad shoulders–funny how I never pictured Matty Roth looking threatening, menacing, but suddenly he does here, and it’s not just the gun.

Jamie McKelvie

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(click through for larger version) Ryan Kelly:

Fiona Staples:

Becky Cloonan:

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Molly Crabapple:

It’s Thursday. I have had too much caffeine and haven’t bought my comics for the week yet. Have some links.

Boondock Saints comics? Hell yes.

Becky Cloonan’s ongoing webcomic-saga of her “feud” with Amy Reeder Hadley just keeps getting funnier.

Warren Ellis thinks you should buy this print from Laurenn McCubbin. I think you should buy it for me.

One of my favorite political bloggers, Spencer Ackerman, is now the star of a comic book. Where the heck is MY comic book, people?

Jonathan Lethem on the “Squandered promise of science fiction.”

I’m sure Hawkman and Hawkgirl would beg to differ!

Courtesy of Player vs. Player, August 10, 2009.

From the UPI…

Really, if you want to push a right-wing agenda, you may want the help of a dictionary. I’ll let the Chicago Sun-Times‘ Richard Roeper explain:

Just a few ways in which Obama’s policies differ from a socialist agenda: socialism would mean no health insurance companies; decriminalization of drugs and prostitution; immediate withdrawal of all troops on foreign soil; a certain cap on all salaries in any situation and public funding for the media. I don’t see the White House calling for such measures, do you?

What say ye? Inventive comic tie-in? Guerrilla propaganda at its finest?

Regular readers here know I love Joelle Jones’ art. You’ll also probably know I love Joss Whedon. So Joelle Jones character sketches for Dr. Horrible comics? WIN.

You can get Phonogram vs. The Fans, the limited-edition Phonogram fanzine that I wrote about here, on Etsy for the low, low price of $5. You want this.

Gail Simone, good and pissed about the EA Games “booth babes” debacle.

Racialicious has a review from the first Asian American Comic Con.

Johanna Draper Carlson talks Girlamatic, which I’d somehow missed out on, so read what she has to say.

One of my favorite bloggers, Renegade Evolution, talks about girls and gaming: “Hey baby, why all the aggro?”

Guillermo del Toro and Chuck Hogan have a cool Op-Ed in the New York Times about “why we need vampires.” Lately I’ve been doing a good bit of thinking about why vampire stories seem to appeal to a teen girl demographic in particular, so this fit right in.

And via BUST, Johnny Depp is set to play a vampire in yet another Tim Burton-helmed picture, Dark Shadows.

Stephenie Meyer, author of Twilight, is set to test the theory that fans are really just out for the hot boys at Comic-Con–she’s going to star in her own Female Force comic. (Can I mention yet again that the name “female force” creeps me out? Referring to women as “females” sounds so animalistic to me…)

Finally, on that note, an interview with Francesca Lia Block on her new vampire young adult novel, Pretty Dead. Since one of the things I’m interested in is why the vampire romance always seems to be older male vampire and young mortal girl (Angel/Buffy, Edward/Bella, etc.) I’m especially intrigued with Block’s book since it reverses that dynamic.

If you’ll excuse me, I think I’m off to watch Angel…

First off, this Saturday I’ll be headed for this:

If you’re in New York, you too should check it out.

You don’t have to be in NY to read NYC Graphic Novelists’ profile on A.D.: New Orleans After the Deluge creator Josh Neufeld. And if you haven’t read A.D. yet, um, it’s free and on the Web. Read it.

Finally, for iGoogle users, you can now get a constantly-updated iGoogle theme with the best of Oni Press’s creators’ work. Currently, it includes the work of Chris Mitten (Wasteland), Chynna Clugston (Blue Monday), Chris Schweizer (The Crogan Adventures), Lars Brown (North World), & Brandon Graham (Multiple Warheads). You know you want it.

It’s almost time to go buy comics, but in the meantime I bring you linkage from across the Internets on a variety of different things.

From Splash Page, Grant Morrison talks comics with Percy Carey, otherwise known as MF Grimm, the writer of Sentences.

Comics Worth Reading has a nice review of Patsy Walker: Hellcat that makes me want to read it.

Also from Splash Page, Evan Rachel Wood and Alan Cumming are confirmed as part of the cast of “Spider-Man: Turn Off The Dark,” the upcoming Broadway musical directed by Julie Taymor. I don’t know about you, but between the casting, the subject matter, and the direction, this is shaping up to be a must-see for me.

Laura Hudson at Comics Alliance puts together the top 5 Michael Jackson moments in comics.

Laura Lee Gulledge answers some questions for The Big Feminist BUT.

I don’t know about you, but I love getting sketches from artists at conventions. And artist Cliff Chiang is one of the many artists out there who excel at it, and from the looks of his sketches he enjoys it to boot. On his blog he regularly posts the sketches he’s done at conventions, and the ones from the recent HeroesCon

shows off some real gems, including this Captain America:

Click on the link to see more of Chiang’s convention sketches.

And before you get to thinking this DC-Exclusive artist is joining the House of Ideas, Chiang is currently hard at work  at Vertigo on the graphic novel Greendale with Joshua Dysart based on a concept by Neil Young.

Comics Nexus has just unveiled the latest of Neill Cameron’s A-Z of Awesomeness series, which has some pretty hilarious comic-related alphabetery (see what I did there? I made up a word, and it rocked).

That’s not to say that this is the best letter — they’re all equally the best. Well, the Inebriated Iron Man (for the Letter “I,” or as some lazy people type, the lower-case L) is sick and wrong, but also funny. As is Hagar’s actions to Hello Kitty. As is the Letter J.

[A tip of the hat to Manolis Vamvounis for introducing me to this debauchery]

Warner Home Video sat down with Bruce Timm to discuss Green Lantern: First Flight, a new full-length animated feature that is scheduled for release on July 28.

QUESTION: There was no downtime for you and director Lauren Montgomery between Wonder Woman and Green Lantern: First Flight. How did you two make that quick transition, and what kept it fresh for you?

BRUCE TIMM: Lauren did such a great job on Wonder Woman, she was immediately my first choice for Green Lantern.  I thought she might be a little burned out after the massive Wonder Woman project, but to my immense relief and gratefulness, she was eager to do it.

All that said, Lauren definitely needed to take a little bit of a break in terms of character design and I wasn’t about to step up to that role, either.  The tricky thing about Green Lantern is that we wanted to have a unique style sensibility.  We’ve done quite a bit with the Green Lantern and characters on the Justice League, including the entire Green Lantern Corps, and we certainly didn’t want to go back and reuse any of those designs. Another really talented young artist named Jose Lopez, who had worked with Mike Goguen and Jeff Matsuda on the recent The Batman series, was brought to our attention. I looked at his portfolio and I thought, “Wow, this guy is really cool.”

Jose has a completely different design sensibility than I’m accustomed to working with.  He’s a little bit anime-flavored, but not specifically anime.  We brought him in to do some designs on Green Lantern, and he ended up being pretty much our entire character design department.  He designed not just Green Lantern and most of the major characters but zillions of background aliens. Jose brought a really unique visual sensibility to the movie.

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Our own Rev OJ Flow has shown off his awesome superhero tattoos here a few times. He’s opted for several characters with relatively small representations. Well, one fan had a slightly different idea:

Yup, that’s an actual chest with an actual tattoo of the tattered Spidey costume, complete with battle damage, as posted at GeekStir. According to the recipient of said tattoo, it took over 9000 minutes, or 150 hours to complete. That is one dedicated Spider-fan.

Since I didn’t have a lot of money at MoCCA, I picked up a lot of cards and free things that people were giving out. To make up for not being able to buy things from all these people, I’m sharing them with you. They certainly deserve your attention.

Carissa Halston was kind of fabulous, and kind of fascinating, and she writes plays, books, and graphic novels.

Sara Antoinette Martin draws the kind of stuff I want tattooed on me: skulls and graphic girls and puppies. Her prints are only $35! Buy me one. (Or if you must, buy yourself one.)

Evan Palmer is from Lafayette, Louisiana. I love Louisiana. He is also doing some work with Peter Gross, which is how my favoritest comic artist ever, Ryan Kelly, got his start, so you know you’re going to hear great things from this guy.

Sho Murase’s art is completely, insanely gorgeous. I really wanted one of her mini art books, but I’m just too broke.

I got a couple of preview minicomics of a book called Squirrel Machine, due out from Fantagraphics in the fall. Seriously, how do you refuse something called Squirrel Machine? It looks macabre and fascinating, sort of like a Nick Cave song set to pictures.

Bagger43 was the name on the back of this postcard with a couple of girls and a dog on the front, looking like postapocalyptic street angels ready for a brawl. Not much of a bio on the site, but the art is stellar.

Uncle Envelope is a cool art project that will send you an piece of paper art once a month for twelve months. A bunch of different artists are involved, and they gave out a little activity book at MoCCA to tease people. I like art, I love media supported by subscription…it’s a win-win.

Finally, Becky Cloonan and Hwan Cho should need no introduction to readers of this blog, but even if you don’t know who they are, you should go forth and read about their upcoming webcomic, KGB.

Todd Klein has posted on his blog that his new signed print, Drawing the Sword, will available to order starting Saturday at noon, EST.

Drawing the Sword has text by Klein drawn from L’Morte d’Arthur, one of the seminal Arthurian texts, as well as an image by J.H. Williams of Arthur Pendragon pulling the sword from the stone.

There will only be 500 editions of this print, each costing $20 plus shipping. You can read more about the creation of this print by clicking here.

All right, New York fans — if you dig Steve Dillon, here’s your chance to meet and greet!

The Hero Initiative has announced that on Wednesday, June 24th, the Preacher and Punisher penciller will be hitting Jim Hanley’s Universe in Manhattan from 6pm to 8pm.

All proceeds, both for the $5 raffle as well as the $15 sketches, will go to the Hero Intiative, which helps out creators in financial or medical need. If you’re in the area, check it out!

TONIGHT: Kevin O’Neill at Forbidden Planet New York at 6:00. The artist behind The League of Extraordinary Gentlemen, among many other books, will be appearing and signing books. Get in line!

Joelle Jones has some more of her gorgeous Endless drawings on her blog. Someone hire this girl to do a Delirium comic, stat. She also has a Blankets tribute and a gorgeous bit of Craig Thompson’s art as well.

Splash Page has more on Ryan Reynolds’ work on the upcoming Deadpool movie. Alas, no pictures…

You’ll probably want to skip straight to this one, because Warren Ellis has a color page from Planetary #27. Yes, it’s really going to happen.

Finally, I bring you a thought-provoking essay on the lack of black supervillains, at Comics Waiting Room. (via When Fangirls Attack)