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The Perils of Computer Lettering…

January 8th, 2013
Author Graeme McMillan

Nate Piekos, comic book letterer supreme, explains how he created the typeface for Francesco Francavilla’s wonderful Black Beetle series at Dark Horse:

I got to work right away on the font that would eventually become Blambot’s Tough as Nails BB. Since I try to come up with two new fonts every month, I was killing two birds with one stone—the perfect font for The Black Beetle’s dialogue and a new font for public release.

I remember making one solid pass at a finished design, showing it to Jim, and taking a day or so away from it. When I came back with fresh eyes, I realized the “pen style” was wrong.

The letterforms worked, but instead of a uniform Rapidograph style, the font would be even better if I made it look as if it was lettered with a calligraphy tip. To go one step further, I reversed the angle that most comic hand letterers hold their pens at so that the vertical strokes were thicker than the horizontal. This is not a matter of pushing a few buttons in AI; it meant reworking each letter individually. Meanwhile, the clock was ticking and I had to start lettering the pages coming in!

If you’re a process wonk like I am, this kind of thing is fascinating.

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