Activision’s panel on their newly announced Spider-Man game, Spider-Man: Edge of Time, just wrapped here at WonderCon in San Francisco, and we’ve got a few bits of pertinent info to pass along. Among those on the panel were game writer/comic book vet Peter David, voice actor Josh Keaton, TQ Jefferson from Marvel and Gerard Lehiany from Beenox, developer of Edge of Time and last year’s Spider-Man: Shattered Dimensions.

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We’re trying for something a little different this time, folks. Something a little fun and a little funky. This time around, we’re going to talk about a group of people who completely lack fashion sense and would need some serious redesign if they were ever translated into live-action media. With people everywhere talking and theorizing about the upcoming film The Dark Knight Rises, I thought we should look at the Batman’s worst-dressed enemies.

Get ready to giggle.

CRAZY QUILT

Paul Dekker was a painter who later suffered an eye injury. Now all colors seemed obscenely bright and garish to him, painful to look at. He became the criminal Crazy Quilt, dressed in a patchwork outfit meant to make other people feel as he did. Though, if you think about it, with his condition, this outfit probably caused more pain for Quilty than anyone else. I mean, if you see normal colors as bright and painfully clashing, wouldn’t a costume designed for such a purpose just exacerbate the problem?

Crazy Quilt later made himself a helmet the could hypnotize and disorient his enemies with crazy colorful lights. Alas, this did not prevent him from getting beat-up and imprisoned by Batman and Robin. In fact, Robin became Crazy Quilt’s object of vengeance, since the Boy Wonder beat him up more often than the Dark Knight.

Recently there’s been a lady Crazy Quilt and she actually seems to pull off the look better than Dekker ever did. Either way, once you’ve seen this outfit and that helmet, you never forget it.

SIGNALMAN

Some people, when they become a costumed hero or villain, get inspired by a specific symbol or icon. Batman was inspired when a bat crashed through the window. The Green Lantern’s symbol is the lantern that acts as the source of his power. But Phil Cobb wasn’t a guy to sweat any details. He just liked symbols and signals and became fascinated by how society seemed to be driven by them, so he became the Signalman.

He fought Batman a few times, once turning the Bat-Signal into a heat beam, another time trapping Batman inside it. He also briefly became an anti-Green Arrow called “the Blue Bowman.” In general, he’s never done anything major to register on the super-villain scale in a big way. And why should he? That cape. Those clashing colors. And those ridiculous shorts! What is with those shorts?

The main problem here might be that there’s no cohesive identity and it shows. This is just a bunch of random decorations and images thrown together. Signalman, it would be good if you picked a single symbol or icon. Otherwise, you’re as generic as “Theme-Man” or “Guy in Costume.”

Moving on…

CALCULATOR

Remember when the pocket calculator was new, cutting edge technology? Naturally, DC decided that there should be a villain who corrupted said device for evil uses. Enter Noah Kuttler AKA the Calculator. Now, if you break it down to what this battle suit could do, it was actually pretty cool. Its sensors and operating system could scan an enemy and accurately predict what they would do in battle. Give the suit enough information, it could even enter the realm of psychohistory (one of Asimov’s cooler ideas) and predict how the general populace would behave. And the helmet could project solidified holograms that could be operated as weaponry in a way that mimicked the Green Lantern power ring.

Sadly, it’s hard to get people to listen and acknowledge that you’re potentially quite dangerous when you look like a tool. Seriously, a keypad with simple math symbols on it would get you beat up in high school, much less by the likes of Batman and Aquaman. After vanishing for several years, you might’ve expected Kuttler to re-appear with yet another costume based on cutting-edge tech such as the iPhone. But instead, he kept the name Calculator and simply dropped the costume, becoming a hacker and information broker for DC supervillains. He’s been doing much better now operating that way, but one still has to wonder if his old battlesuit isn’t hanging in a closet, waiting for someone to wear it again.

KITE MAN

Charles Brown (known as “Chuck” to friends) decided to use jet-propelled kites to commit serious crimes. Basically, imagine if Charlie Brown of the Peanuts gang got so angry at the tree that kept messing with his kite, he decided to use kites as an instrument of revenge against society. In fact, that would have probably been a cooler story that what Kite Man provided us. He dressed up in silly costumes and despite the fact that he had high-tech jets that could’ve acted as a rocket pack, he insisted the kites were necessary to make him a bad-ass super-villain.

So naturally, this kite-armed individual decided to take on heroes that surely even he had a chance of beating up. Or rather, that would have been the smart move. But no, instead, he decided to fight the Batman (big mistake!) and, later on, Hawkman and Hawkgirl (heroes armed with maces, bigger mistake!!!).

KILLER MOTH

Drury Walker was a no-name criminal who decided to set himself up as the anti-Batman. But unlike the Wrath or Prometheus, he decided to do it without being intimidating. By day, he masqueraded as rich playboy Cameron Van Cleer. By night, he was the Killer Moth, based in his Moth-Cave until criminals could summon for his aid with the Moth-Signal, at which point he’d arrive in his Moth-Mobile and take care of any pesky cops or vigilantes so his clients could escape. Of course, he wasn’t very good at this and criminals realized that shining a light into the sky to announce their presence was not the smartest idea.

And hey, look at what our boy is wearing. I know a couple girls who have knee high socks with that color pattern! Maybe Drury decided that an anti-Batman needs to be the opposite of intimidating, someone who would be invited to kids’ parties before guest-starring on Sesame Street. In the 1990s, they changed Killer Moth into a mutated creature called Charaxes, but no one can ever forget this outfit here.

THE TEN-EYED MAN

Wow. Hey ladies, I’ve got my eyes on you! Hey, now! I can see you in my pants! No, seriously, look at my belt. It has an eye!

Okay, weird jokes aside, let’s look at this guy. Phil Reardon, a guy who was injured in the eyes by a grenade and then, while he was guarding a warehouse, mistook Batman for an intruder and fought him. The real intruders had planted a bomb in the warehouse and it went off, completely blinding Reardon. But that’s okay, because an experimental operation attached his optic nerves to his hands, allowing him to see through his fingers.

Just think about that for a moment. You’d need to have your hands out in front of you the whole time just to walk and if you made two fists you would be instantly blind. On top of that, what is with this look? Mohawk and a lot of eye badges? Really? Like having eyes in your fingers isn’t creepy enough. This villain was so lame, writer Marv Wolfman made it a point to kill him during Crisis on Infinite Earths.

Recently, Grant Morrison re-invented the concept by introducing a cult of mystics known as the Ten-Eyed Men of the Empty Quarter, mysterious warriors who tattoo eye symbols on their fingers, hunt down demons and are able to cut out the darkness of people’s souls.

CALENDAR MAN

Julian Gregory Day (wow, named after not one but two calendars) was a very clever criminal who decided to commit crimes based on holidays, seasons, the days of the week, etc. To be fair, he actually did pull off quite a number of successful robberies each time he went on a crime spree, not being captured by Batman until the he finally tried one heist too many. If he’d stopped some of those crimes at an earlier date, he could have easily retired and enjoyed his riches.

But while Julian Day can be intimidating when he’s wearing the clothing of a simple patient of Arkham Asylum, that’s lost the minute he puts on his official costume. His default look was a rather ridiculous hooded outfit with a sash and calendar pages stapled or taped together as a very flimsy cape. Though, you have to admit, a man who runs around in this costume must not be afraid of anything.

But that’s not all. The Calendar Man adopts a different costume for different crimes. For a Wednesday crime, he dressed as Odin (whose other name Woden later gave us Wednesday). For a Thursday crime, he dressed up as his own version of Thor (from whom we get “thor’s day”). For a spring crime, he dressed up as a… flower guy… Yeah…

For a summer crime, he dressed up as a man bursting with fire and decorated by the sun. For a winter crime, he dressed up as a living snowman. That’s right. There is a comic where Batman fights what seems to be Frosty the Snowman. And all of these costumes were ridiculous, gaudy and lame. For a time, during the 90s, he adopted a different, creepier guise, but that was short-lived. So for sheer volume of awful costumes, the Calendar Man totally wins.

And that brings us to a close for now. There were other villains we could’ve talked about, but then again we could be here forever. Rest assured, there will be other best of and worst of lists in the future.

CONVENTION ALERT! If you are at WonderCon in San Francisco this weekend, I am wandering around. You can find me in panels dealing with superhero psychology and trauma, panels concerning the Green Lantern film, the Doctor Who panel, and probably just walking around the floor. So if you spy me, come up and say hi!

Until next time, this is Alan Kistler, Agent of S.T.Y.L.E., signing off.

Alan Kistler writes the comic book history/fashion column Agent of S.T.Y.L.E. He is an actor and freelance writer living in New York who has been recognized by Warner Bros. Films and major media/news outlets as a comic book historian. He is also the creator/host of the web-show “Crazy Sexy Geeks: The Series.” He knows entirely too much about the history of comics, Star Trek, Doctor Who, time travel, and vampires that don’t sparkle.

Alan can be followed via Twitter: @SizzlerKistler. His work can be found at http://KistlerUniverse.com or http://www.youtube.com/user/CrazySexyGeeksSeries

Mr. Tawny would look swell dressed as Eustace Tilley: In a follow-up of sorts to a piece on Chip Kidd and Geoff Spear’s Shazam! book, Jaime Wolf of the New Yorker writes a nice, short biography of Captain Marvel creator C.C. Beck, paying particular attention to the part of his career after he stopped making Captain Marvel comics, and instead turned to Captain Marvel paintings. Wolf mentions he’d like to eventually see a gallery show of those paintings. I’d settle for a nice book collecting images of them.

It’s Even More Depressing Than Usual, Charlie Brown!: In the spirit of Garfield Minus Garfield comes “3eanuts”, which chops the fourth and final panel off of installments of Charles Schulz’ Peanuts strips, thus depriving each narrative of the tension-relieving punchline.

Gary Groth on Carl Barks: The Fantagraphics publisher talks a bit about his company’s upcoming collection of the great Good Duck artist’s duck comics in the latest issue of The Carl Barks Fan Club Newsletter.

Wow: Check out Jillian Tamaki’s hand-sewn book covers.

Hey remember when DC published a comic for little girls by Peter Bagge and Gilbert Hernandez?: Well, Fantagraphics is collecting it. That was one of those occasional comics from the Big Two that seems so incredibly unlike anything you’d ever expect them to publish taht it kind of seems like someone just made it up or something. Like, if someone told me about it, I might think they were lying. Except in this case, I remember the house ads and seeing it on the shelves.

“Who’s the pair everywhere at each high-class affair?”: Hey, it’s the entire eleven-minute and eighteen-second Snake ‘N’ Bacon pilot!

“11 Reasons why Marvel’s Godzilla is still King”: It’s difficult to argue with any of these, really.

Who’s morning Johnny Storm?: At The Cool Kid’s Table, Ben Morse dicuss the totally dead forever Johnny “Human Torch” Storm’s “various girlfriends and shape shifting alien wives.” Prior to that, he posted pictures of the Greek symbol Omega in various superhero comics for some reason. He included Jonathan Lethem and Farel Dalrymple’s fairly awesome Omega The Unknown, but negelected to include the original, totally awesome Omega The Unknown.

The Complete Calvin & Hobbes
Written & Illustrated by Bill Watterson
Published by Andrews McMeal

Not the timeliest review, I know, right? I’ve had my eye on this half-ton, three-book, slipcased Calvin & Hobbes set ever since it came out, but never quite convinced myself to splurge out the cash for it. My brother thankfully enabled me to sidestep ever paying for it when he gave it to me this past Christmas. And believe me, I had no idea what to think when I found a gaudily wrapped, immovable weight under my Christmas tree.

I probably don’t have to say much about Calvin & Hobbes. Although the last strip appeared nearly fifteen years ago, I’d guess that most of you have read it in some form. My local paper didn’t carry the strip during its entire run, and I was too distracted by being a teenager when it did show up those last four or five years to read it religiously, but even then, I knew Watterson was creating something special.

The years have done nothing to diminish that accomplishment. Calvin & Hobbes continues to stand out as one of the most important, funny and singular comic strips of all time. Celebrating imagination, mischief, ingenuity and basic human decency, Watterson spent twelve years giving voice to perhaps the best newspaper comic strip in American history. Yes, it’s that good.

To have this singular brilliance wrapped up (embalmed and boxed, as Watterson puts it in his introduction) in one package is priceless. The books feature sturdy, proper binding (comic book trade programs, pay attention!), and heavy pages that stand up to repeated turning. The linework is reproduced pristinely, and the colors dazzle. And even the box looks great, with a clean, simple look and good choices for the exterior artwork.

Calvin & Hobbes is, perhaps, the best comic strip ever, and it’s all here, a permanent keepsake, to revisit again and again and again. Everybody simply needs to have the Complete Calvin & Hobbes in their homes (even if, like me, you’re a little late in doing so!).