Comments on: BRAINTSTORMING: Digital Comics #18 http://blog.newsarama.com/2009/08/14/braintstorming-digital-comics-18/ The Blog@ Team and prominent comics personalities share what’s on their minds. Wed, 22 May 2013 20:49:11 +0000 hourly 1 http://wordpress.org/?v=3.1.1 By: penis enlargement devices http://blog.newsarama.com/2009/08/14/braintstorming-digital-comics-18/comment-page-1/#comment-565524 penis enlargement devices Tue, 18 Jan 2011 00:24:38 +0000 http://blog.newsarama.com/?p=12462#comment-565524 I just wanted to comment & say that I was very impressed with the design on your blog & also your writing skills.. happy holidays! I just wanted to comment & say that I was very impressed with the design on your blog & also your writing skills.. happy holidays!

]]> By: john http://blog.newsarama.com/2009/08/14/braintstorming-digital-comics-18/comment-page-1/#comment-470115 john Fri, 14 Aug 2009 17:06:37 +0000 http://blog.newsarama.com/?p=12462#comment-470115 These are great rules that almost no one abides by in the comic industry which is why so many comics are a mess, just a bunch of "pretty" pictures loosely tied together! These are great rules that almost no one abides by in the comic industry which is why so many comics are a mess, just a bunch of “pretty” pictures loosely tied together!

]]> By: Kyle Latino http://blog.newsarama.com/2009/08/14/braintstorming-digital-comics-18/comment-page-1/#comment-470086 Kyle Latino Fri, 14 Aug 2009 14:40:02 +0000 http://blog.newsarama.com/?p=12462#comment-470086 David, you make an excellent observation. As a writer the, you are right, those are the purposes of the panels. But what I am suggesting is that when an artist is composing an image, it is through this method that he can communicate what the writer has purposed each panel for. In regards to 22 PANELS THAT ALWAYS WORK, I believe that I can diagram everyone of those panels in the manner above (which is a great idea that I'll get to soon!). I would also like to point out that 22 PANELS is subtitled "Interesting ways to get some variety into those boring panels where some dumb writer has a bunch of characters sitting around and talking for page after page!" I don't think anyone could tell a very interesting story with just those 22 kinds of panels. Further disclaimer, none of the above article is actual quotation, and I may have deluded or miscommunicated some of the things I'd learned. So, Mr. Chaykin and Mr. Breitweiser are not to be held accountable for my interpretation of the information. By the way, David, love HIGH MOON! David, you make an excellent observation. As a writer the, you are right, those are the purposes of the panels. But what I am suggesting is that when an artist is composing an image, it is through this method that he can communicate what the writer has purposed each panel for.

In regards to 22 PANELS THAT ALWAYS WORK, I believe that I can diagram everyone of those panels in the manner above (which is a great idea that I’ll get to soon!). I would also like to point out that 22 PANELS is subtitled “Interesting ways to get some variety into those boring panels where some dumb writer has a bunch of characters sitting around and talking for page after page!” I don’t think anyone could tell a very interesting story with just those 22 kinds of panels.

Further disclaimer, none of the above article is actual quotation, and I may have deluded or miscommunicated some of the things I’d learned. So, Mr. Chaykin and Mr. Breitweiser are not to be held accountable for my interpretation of the information.

By the way, David, love HIGH MOON!

]]> By: David Gallaher http://blog.newsarama.com/2009/08/14/braintstorming-digital-comics-18/comment-page-1/#comment-470076 David Gallaher Fri, 14 Aug 2009 12:52:18 +0000 http://blog.newsarama.com/?p=12462#comment-470076 I don't know if I entirely agree about all of this. As a writer, I was taught that every panel needs to establish the setting, advance the plot, or illuminate character. And, I feel that TOM STRONG might not be the best example to use. I'd like to see this extrapolated to WALLY WOOD'S 22 PANELS THAT ALWAYS WORK before making any definite opinions. I don’t know if I entirely agree about all of this. As a writer, I was taught that every panel needs to establish the setting, advance the plot, or illuminate character. And, I feel that TOM STRONG might not be the best example to use. I’d like to see this extrapolated to WALLY WOOD’S 22 PANELS THAT ALWAYS WORK before making any definite opinions.

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