I’ve written about Persepolis and Marjane Satrapi in the context of the current protests in Iran, but someone took it a step further and rebooted (remixed?) Persepolis to reflect the current situation.

I have no idea if Satrapi is involved in this project, but I do find it interesting that a completely new story can be made by moving some panels around and changing the captions. Aside from my interest in it as a political document–and the way comics can carry a message more potently than a simple news story–it is also an exercise in figuring out the weight of the message carried in the images vs. in the text of a comic.
June 28th, 2009 at 3:15 pm
Maybe it’s because Satrapi’s work is interesting on a narrative level (and only debatably then), but not formal level.