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Newsarama Blogs Home > Archive: March 2009

Thursday, February 23

Cancelled: 2009 Paradise Toronto Comicon

March 20th, 2009
Author Troy Brownfield

Unfortunate news from the Great White North.  Sequential reports the cancellation of 2009 Paradise Toronto Comicon.  The blame falls to problems concerning both booking dates and venue.

Sequential’s coverage indicates the following :

According to an email circulated to comics professionals and dealers on Thursday by Peter Dixon of Paradise Comics, the July 4 weekend was the only potential date offered to the con and was deemed inadequate. The popular summer convention is second only to the Hobbystar convention in terms of traditional comic cons in Toronto.

Both Blog@ and Newsarama will be looking at this story, and we’ll have more information should it become available.

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Who watches Two and a Half Watchmen? You do!

March 20th, 2009
Author David Pepose

I swear I have more to contribute to this site than parody clips about Watchmen, but…

Here’s another one. Watchmen meets Two and a Half Men, by Take180′s Electric Spoofaloo. If you’ve ever watched the Charlie Sheen sitcom, you’ll see how spot-on this parody is.

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Hugo Award nominees announced

March 20th, 2009
Author David Pepose

There’s the Oscars, the Eisners… and then there’s Hugo.

The Hugo Awards, which celebrate the best in science fiction and fantasy, announced their nominees yesterday. Here’s a list of who’s nominated:

Nominations

A total of 799 nomination ballots were cast and the nominees are:

Best Novel
(639 Ballots / Bulletins)

* Anathem by Neal Stephenson (Morrow; Atlantic UK)
* The Graveyard Book by Neil Gaiman (HarperCollins; Bloomsbury UK)
* Little Brother by Cory Doctorow (Tor Teen; HarperVoyager UK) — Free download
* Saturn’s Children by Charles Stross (Ace; Orbit UK)
* Zoe’s Tale by John Scalzi (Tor)

Best Novella
(337 Ballots / Bulletins)

* “The Erdmann Nexus” by Nancy Kress (Asimov’s Oct/Nov 2008)
* “The Political Prisoner” by Charles Coleman Finlay (F&SF Aug 2008) – Read Online
* “The Tear” by Ian McDonald ( Galactic Empires)
* “True Names” by Benjamin Rosenbaum & Cory Doctorow ( Fast Forward 2) — Free download
* “Truth” by Robert Reed (Asimov’s Oct/Nov 2008)

(more…)

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Final issue of Planetary headlines “creator-driven” Wildstorm initiative

March 20th, 2009
Author David Pepose

It’s been years in the making, but Planetary #27 may make its triumphant return in 2009!

Wildstorm announced a new “creator-driven” series of books at the ComicsPRO conference in Memphis that will make their way into stores in 2009.

One of the questions discussed is the legacy of Grant Morrison, whose WildC.A.T.S. and Authority relaunches were left unfinished. Hank Kanalz of Wildstorm said that WildC.A.T.S. “will be completed as a graphic novel, and will be solicited when it’s complete.”

The Authority, meanwhile, will be completed by Keith Giffen and a number of different artists.

In addition, Kanalz announced several new series.

PS238′s Aaron Williams will team up with Fiona Staples to create North 40, which deals with a Midwestern town and its hidden book of nightmares; Red Herring, by Dave Tischman and Philip Bond, will be a series of miniseries logged as “Daily Show meets X-Files”; David Lapham will create Sparta, a magical story about a town built around a football team; and Jeff Mariotte will mastermind Garrison, an FBI procedural tracking down a serial killer.

[Via Nerdage in Memphis.]

 
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LISTEN TO JIMMY PALMIOTTI #10

March 20th, 2009
Author David Pepose

By Jimmy Palmiotti

Its been a relatively quiet week and I was thinking I wouldn’t have much to write about and for the most part I was right, except this morning something happened that… well… was not a everyday thing to say the least.

For the past three days some giant Everglade-type bird has been sitting in one of my Florida home’s trees and it was acting the part of a rooster. As the sun came up each morning, this thing would screech on and off for the next few hours like someone got its nuts in a vice and was trying to extract information. Each morning it has done this and I was dealing with it like any Brooklyn boy would do… I would open up my window and yell at it to shut the hell up. Well, my neighbors found that very funny at least.

So, this morning, the bird is doing his usual “sun up” song and I go to close the windows thinking I might be able to reduce the shriek a tiny bit. I slid back into bed when suddenly I hear a loud thump on the roof of my home. At first, I thought it might be another drunk bird that had their flight path fatally interrupted by the location of my house, but this time it sounded a little bigger in density and I figured I would take a look and see if I could spot what was causing the disturbance.

(more…)

 
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Scarlett Takes Manhattan!

March 19th, 2009
Author Sarah Jaffe

I don’t know if you’re familiar with Molly Crabapple, but I’ve blogged about her several times here at Blog@. Clearly, in other words, I think you should know her and her work. The creator of Dr. Sketchy’s Anti-Art School, Crabapple creates visions of a gorgeous and slightly twisted past New York, with vaudeville flavors and a steampunk edge.

And now her first graphic novel is coming your way. You know you want it. I want it. I’ve been following her webcomic, Backstage, at Act-I-Vate, but I want a piece of her that I can carry in my purse for all those moments when I need something sweet and sharp, smart and sexy.

Keep an eye out here for more.

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Review: Mysterius The Unfathomable #3

March 19th, 2009
Author Henry Chamberlain

Mysterius The Unfathomable #3

Created by Jeff Parker and Tom Fowler

DC Comics – Wildstorm

This is a limited run that should continue because of all its eye-popping intelligent goodness. An old school magician, turns out to be a real wizard, pals around with beautiful young women, likes antiques. Sounds good so far and it only gets better.

In issue 3, we find our wizard, Mysterius, hot on the case with his lovely and wisecracking assistant, Delfi. His client is eager to rid himself of a witch’s curse and this has led the sleuthing duo to Grant’s Tomb just as it blows up.

You can see Tom Fowler, the artist, embrace the MAD Magazine tradition of exaggeration and turn it into his own in the ongoing strip for MAD entitled, Monroe. And you see his style in full bloom in Mysterius with a gorgeous cinematic kick as his talents blend with the writer, Jeff Parker. This series howls with life. The explosion at Grant’s Tomb propels the characters in all directions with the witches making their getaway in a hatchback. But, hold on, captured perfectly in one panel: out of the rearview, the witches spot Mysterius tauntingly holding up the idol they all seek.

The energy never lets up in this multi-textured series. You get all sorts of little asides: a bunch of hippies off on a road trip, a sidewalk con artist outwitted at cards. The atmosphere is palpable. You even get a book within a book, held up for you to see, full of crazy art and incantations. 

The story of Vic Chesnea is further explored. He was the first client we got to know in issue 1. He is in limbo, one part in hell and the other clinging to reality. This is the result of a séance led by Mysterius. Although it really wasn’t his fault, Mysterius finds himself further and further involved in bringing Vic back and making sure all the ugly ghoulies from hell stay put.

We get a generous helping of these ghoulies. It is an ambitious depiction successfully executed. Mysterius and his team are frantically dripping candle wax to ward off evil spirits, as the mansion fills up with fog. Then, from the mail slot, the first demon strikes Delfi. Erika grabs a sword. And Mysterius yells out, “Yes, now whack that tongue off my assistant!” This is a lot of fun. It is just as good, if not better, than some of the best movies with goofy demons, including Ghostbusters. Come to think of it, a movie pitch for Mysterius would have to say, “leading man role of wizard playboy suitable for Bill Murray.” 

 
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And speaking of that CNN piece…

March 19th, 2009
Author J. Caleb Mozzocco

Washington-based College professor, author and blogger James McPherson, whose focus is on the intersection of media and politics, reacted to that CNN story with a post entitled, “Can a Christian lesbian Latina superhero save us?

McPherson, by the way, says, “I haven’t read a comic book since I was a kid. I don’t read graphic novels, and know next to nothing about Manga.” (Like the fact that manga isn’t a proper noun, for example). So I suppose he can be forgiven for not being up on all the latest superheroes, but I found this statement about the sorts of superheroes the world might need now rather amusing:

But if we really need superheroes, perhaps its time to update them. Maybe they should be multi-racial, not just multi-colored. Maybe more women (though Congress and the superhero community seem to have the same shortcomings in that regard). Maybe crime-fighting Christians. Or lesbians. Or, considering the state of the economy, accountants. Or all of the above.

Don’t worry man, comics companies are all over that. You want a Christian lesbian Latina superhero? DC’s got you covered:

(more…)

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I don’t just like to nitpick comic books. Sometimes I like to nitpick articles about comic books too.

March 19th, 2009
Author J. Caleb Mozzocco

Yesterday David linked to this CNN article about the Jerry Robinson-curated Golden Age comics art exhibit at the Skirball Cultural Center in LA. It sure sounds like a great show, and the article is fairly well-written.

Except for the headline, and the premise it’s based on.

The headline is “Superheroes rise in tough times.” Not rose from, in the past tense, but rise in, present tense. The lead seeks to draw a parallel between the end of the Great Depression/beginning of World War II dawn of the comic book superhero with today’s Hollywood interest in the superhero:

America faces an economic calamity. Trouble brews in faraway lands.

Sound familiar?

Vaguely, I suppose. Although was there a point in American history where you couldn’t say that trouble was brewing in faraway lands? As for the particular brands of trouble though, how is the rise of German and Italian fascism and the beginnings of second world war equivalent to the U.S. campaigns against insurgencies in Iraq and Afghanistan?

While equating the two time periods has become a popular pastime for the mainstream media due to the severity of our current financial crisis, it strikes me as a pretty big stretch here. While the headline and lead suggest that’s what the piece is about, writer Douglas Hyde only returns to that aspect in the article for a few sentences toward the end:

In our own times, the public is turning to costumed heroes again in record numbers. Movies based on comic books are box office leaders; comic books themselves remain a strong and growing industry.

There’s definitely a resurgence of interest in movie superheroes, but there’s a lot to unpack in those two sentences.

(more…)

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Meet South Park’s Masked Hero: The “COON”??

March 19th, 2009
Author The Rev. OJ Flow

South Park tackled the comic book superhero genre with mixed results on their March 18th episode. Simultaneously taking digs at The Dark Knight, The Spirit, and the up-to-the-minute Watchmen, the concept of a city’s masked hero fighting injustice with an Atlas-like sense of self-importance was mocked rather well despite a rather unsatisfying ending.

Click the link to get the episode in full, and swing back by here to let us know what you thought of “The Coon.”

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So Super Duper – Page Eighteen! Totes, Fer Shure!

March 19th, 2009
Author Brian Andersen

If you like what’s you’ve read so far totally check out more super cute comics at:www.sosuperduper.com!

 
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A TV show, commenting on a comic book, that comments on a TV show

March 19th, 2009
Author David Pepose

Holy Lincoln Osiris!

No, this isn’t an article about Robert Downey Jr. in blackface — but it is significantly meta. (Not metahuman, you geeks. Meta-commentary. Yeah, I know you thought it.)

Supernatural has an interesting plot for April 2 — the boys happen to just meet up with a comic book writer who, whodathunkit, is accurately chronicling their exploits for the (comic-reading) world to see. The auteur’s name? Carver Edlund, an homage to writers Jeremy Carver and Ben Edlund.

It’s also amusing, considering Wildstorm has already come out with a Supernatural comic. META!!

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Top Cow teams up with Mayhem

March 19th, 2009
Author David Pepose

Top Cow has announced it will be teaming up with Mayhem Comics and Games to offer subscription services to readers.

The Ames, Iowa-based Mayhem will offer six-issue and twelve-issue subscriptions for ongoing series, as well as discounted deals on mini-series, all with free comic book bags and boards. This is in keeping with the publisher’s promise to keep their books at $2.99 for 2009.

According to Mayhem, all comics will be received within seven days after the direct market.

“We are incredibly thrilled to finally be able to offer a subscription service to our fans that don’t have a local comic shop near them,” said Filip Sablik, Publisher of Top Cow Productions, in a press release. “Mayhem Comics and Collectibles has a fantastic reputation for taking care of their customers and we can’t think of a better partner.”

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Wolverine goes classical with Art Appreciation Month

March 19th, 2009
Author David Pepose

Ever had an urge to see Wolverine in pointillism? Had an itch to go SNIKT, Edward Gorey style?

Well, now’s your chance — Marvel has announced that in honor of Wolverine’s 35th anniversary, April will be Wolverine Art Appreciation Month!

“This is a huge year for Wolverine as he proves why he’s arguably one of the most popular characters in the world,” said Marvel EiC Joe Quesada in a press release. “He’s not just popular with fans but also with artists, as evidenced by how many of today’s top comic artists jockey for a chance to draw him. This got us thinking: what if Wolverine had been around for hundreds, if not thousands, of years? What great, classic artists would want a crack at drawing a Wolverine cover?”

Sounds like a great issue of WHAT IF…? But this is no dream — it is a reality! See below for some samples, and if you need more of the Canadian Cutlerist, click here for a preview by the Washington Post!

Here’s a complete list of where you’ll see an all-classical, all-different Wolverine:

AGENTS OF ATLAS #3

AMAZING SPIDER-MAN #590

AMAZING SPIDER-MAN #592

CAPTAIN BRITAIN AND MI13 #12

DAREDEVIL #118

EXILES #1

GHOST RIDER #34

HULK #11

INCREDIBLE HERCULES #128

MOON KNIGHT #29

MS. MARVEL #38

RUNAWAYS #9

SECRET WARRIORS #3

UNCANNY X-MEN #508

WAR MACHINE #5

WOLVERINE: FIRST CLASS #14

X-MEN: LEGACY #223

 
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Green Hornet: Ranger or No Ranger?

March 19th, 2009
Author Troy Brownfield

One of the many questions surrounding the forthcoming Green Hornet film (like, “Is it happening?”) happens to be whether or not the relationship between the Lone Ranger and the Green Hornet will be established in the film.  As you may know, the Hornet is the grand-nephew of the Ranger.  Star Seth Rogen noted in this piece over at SciFi Wire that the script does include a “passing” mention of this fact.  The problem comes with the notion that the Lone Ranger rights are held elsewhere.

So, question to you: is this fact a crucial thing for establishment of the Hornet, or are you just amazed that it’s still moving despite all the fits and starts?

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MoCCA: The Art of Watchmen lecture

March 19th, 2009
Author Russ Burlingame

Just a quick note for those of us who live in the Big Apple–MoCCA is having an event today that bears some looking into:

Thursday, March 19th, 7pm
Watchmen in Context

The Art of Watchmen co-curator, comics historian Peter Sanderson, will deliver a lecture that will serve as a guided tour through all twelve issues of the original Watchmen comics series. Sanderson will reveal how Watchmen’s creators take character types and storylines from traditional superhero stories and adapt them to convey the book’s themes. Pointing out Watchmen’s allusions to real world events, Sanderson will show how Watchmen requires the readers to rexamine the proper role of the superhero in fiction–and of America as a real world superpower. “Watchmen in Context” will explore how this classic graphic novel juxtaposes different ways of viewing existence and asks the readers to choose among them. 

In addition, MoCCA proudly presents The Art of Watchmen. This exhibition looks at the many incarnations of the Watchmen universe: from Dave Gibbons’ original character designs sketches, to the art from the acclaimed graphic novel to the stills from the highly anticipated film by Zack Snyder. The Art of Watchmen is curated by Peter Sanderson and Ellen S. Abramowitz.

On view will be photographs by Clay Enos of the Watchmen movie cast and original artwork from the graphic novel co-created and illustrated by Dave Gibbons.The Art of Watchmen explores the way in which the comics and cinema versions each combine fiction with reality to create an alternative universe that provides incisive commentary on our contemporary times. The exhibition will focus on visual iconography from Watchmen, primarily the main characters: The Comedian, Dr. Manhattan, Nite Owl, Ozymandias, Silk Spectre, and Rorschach. We will show how each character evolved, through artist Dave Gibbons’ concept sketches to their depiction in the comics culminating in their incarnations on screen.

The Art of Watchmen is sponsored by Warner Bros. Additional support for MoCCA comes from the Ann and Will Eisner Family Foundation, and the members of MoCCA. Special thanks to DC Comics, New York Comic Con, Titan Books and Gareb Shamus/Wizard Magazine. 

Admission: $5 | Free for MoCCA Members

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BRAINSTRORMING: Digital Comics #9

March 19th, 2009
Author David Pepose


SUPER KAIJU HERO INTERVIEW
Well today B:DC has it’s first interview. We’re talking to SUPER KAIJU HERO FORCE creators Casey Lau and Jeff Kwan. The first comic came out just last week on the iTunes App store with more promised in the near future. Every installment will be available for free. Check it out HERE or at Crispy Comics.

So, without anymore delay:

Give us the log line for SUPER KAIJU HERO FORCE.

It’s an origin story, so its hard to give an exact log line for it since we don’t want to give too much of it away. But if you love Japanese monsters, Ultraman and reality TV – then you’re half way to enjoying Super Kaiju Hero Force. The best way to explain this is What if Matt Groening had created Godzilla? We think it would be something weird like this.

What specific works in the giant robot/ monster genre drove you to create SUPER KAIJU HERO FORCE?

The whole genre is awesome! We’re on a steady diet of Kamen Rider and Ultraman shows right now because they keep updating them in Japan every year to keep kids interested and while we’ve seen huge leaps and bounds in special effects for movies like Spider-Man and Iron Man, the Japanese still won’t let go of the rubber outfits and the miniature cities – and while its super cool to see and all kinds of awesome, its just hilarious that you still see zippers and we just got to thinking “what if the guys in the suits went crazy one day” or if the South Park kids got into them – that’s when it started to gel and make us laugh we kept going.

When, and what were the circumstances that begun your venture into iPhone comics?

I think like many comic fans when you start using an iPhone or iPod touch the first thing you think after you get your Facebook set up is, “I wonder how Jim Lee’s art would look on this?”

We saw that some other companies were putting re-formatted comics onto the iPhone and thought someone should make original comics, we’ve done the printed comic dance before and the flash comic but this platform seemed to be almost perfect for us in terms of user base, ease of distribution and revenue generation potential – and we had tons of ideas and we decided to go with this one first, but its the first of many new comics ideas we plan to launch 100% digitally.

What is the process for coming up with the slick end product on the art side? Is it all digital?

Yes its all digital – I guess the only time pen and paper are used is when I jot down notes for each of the stories and do doodles which will never see the light of day – from there Jeff and I bounce Google Docs back and forth refining a concept until its tight enough to plot and then drawn and colored digitally.

There are many hints in the captions and art about the future of the SUPER KAIJU HERO FORCE (such as the GARGANTURO sporting some shorts in his first panel, but not another). How far have you plotted the story out?

Yes we’re finishing the artwork for the final chapter now. So we’ve given ourselves a huge headstart to the whole thing so we can have the luxury of speeding up the delivery of new chapters if its well received.

What is the creation schedule you’ve set up for yourselves to keep up with the biweekly release? Do you have a buffer of a few strips?

We’ve been working on this since September, purely part-time, but it will be completed by the time you see #3 so that’s one thing we won’t be behind on. We’re going to begin work our next series in April which is different than Super Kaiju Hero Force in tone and style.

What are your thoughts on the future of digital distribution? Do you see it as THE method of delivery, or just ONE method?

Of course its just ONE method. We are all hardcore comic fans and grew up with them, and we love comic shops – but since we’re not specifically doing superheroes – we wanted to find a distribution channel that allowed regular people an easy way to read comics. After seeing so many superhero movies, we feel that audiences are ready to grow their comic reading habit just like we did in the 80′s into other types of comic books. How much further would a Scott Pilgrim go if it was released digitally as well? And how many countries could get in to it that much faster? We feel complete digital delivery is still at least 10 years away, and while it comes there will still be ways to get comics at comic shops and bookstores, just as movies will always also be shown in cinemas not just as downloads.

Why are you putting it up for free? Do you have plans to sell it in a print collection later?

If Jim Lee or Alex Ross were drawing it then we’d charge. Its a new medium, new characters, we feel like if we want you to take a chance on us that we also take a chance on you. If all goes to plan we’ll find other ways to monetize the comic book – the very next step will be the “Digital TPB” version, where we put everything into 1 application and include other fun stuff like wallpapers, games, creators audio/video commentary – really push the platform its sitting on.

Is SUPER KAIJU HERO FORCE a means to an end, and experiment, or an end unto itself?

All of the above. We’re definitely committed to using mobile platforms as our distribution of choice. We will never say never, but we’re not looking at a print version of this anytime in the near future.

The only experimenting we’re doing is storytelling – how to fit the panels and flow into this digest sized screen. That is the biggest experiment and while we’re going pretty traditional here we’d like to try different ways in this format.

With new products entering the market, its only a matter of time before everyone looks at this platform as a viable business. Let’s see how we get on – we’re more than happy to share with you how the downloads go and how we do in the progress of each new chapter comes out. I think in that purpose because we are the first original comic publisher that lots of other people will want to see how we do before getting on board as well. And to all the creators out there reading this and wanting to get in on it, we are also looking to publish other people’s content as well.

Any plugs or special thanks for anyone?

We love Blog@Newsarama and check it all the time for what’s happening in the comic biz and we enjoy your newly set up Digital Comics column as of course this is what we’re into and it seems you guys are seeing the market expanding like this as well so its good timing that we are talking about this together right now.

Thanks for answering some questions, and good luck.

No problems thanks for doing this, we really appreciate it.

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Skirball to celebrate the Golden Age of Comics

March 18th, 2009
Author David Pepose

The Skirball Cultural Center in Los Angeles is hosting a new exhibit on the Golden Age of Comics.

The curator of the exhibit, Jerry Robinson — yes, the creator of the Joker — has an interesting interview with CNN, in which he discusses comics’ Depression-era beginnings, and compares them to the economic downturn that we face today.

Here’s a cool first-hand look at comics’ transition from Depression-era pulp to World War II-style heroism:

“The first villains in the comic books were hijackers, embezzlers, bank robbers. It was the era of Pretty Boy Floyd and so forth. Once the war came along, we felt a need for more patriotic heroes to fight Hitler… in fact, Hitler banned American comics, at least Superman and superheroes. He said they were Jewish. Little did he know that the creators were actually Jewish. … Hitler banned American comics, except one: Mickey Mouse, which was his favorite.”

Sorry, Mickey. You can read the rest of the article here.

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Comics’ new PB&J — THE GOON meets DETHKLOK

March 18th, 2009
Author David Pepose

Is this a match made in Hell, or is this the Next Big Thing? You decide, Gentle Reader!

And now, without further adieu — THE GOON meets DETHKLOK!

Now discuss.

[Via MTV.]

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Linkarama@Newsarama

March 18th, 2009
Author J. Caleb Mozzocco

Unhappy Trails: Bill White follows up on the reception of the recent Mark Trail storyline dealing with a troubled married couple that seemed to offer a rather…unusual take on domestic violence.

The Doug Wright stuff: This year’s Doug Wright Awards, honoring Canadian cartooning, will be a little different than in years past in that this year coincides with Drawn and Quarterly’s launching of The Collected Doug Wright: Canada’s Master Cartoonist, a two-volume book about the work of the awards’ namesake.

“I’m called the father of the modern graphic novel. If that’s true, I want a blood test”: Art Spiegelman prefers the word “comics” to “graphic novels.” (I agree, but I like ‘em both more than “graphic books,” New York Times). That quote’s from a Christian Science Monitor blog, linking to this Economist piece on Spiegelman.

It’s Spiegelmania!: Want more about Spiegelman-realted reading? Here’s an interview by Kiel Phegley.

A Watchmen review that could fit in a fortune cookie: Fantagraphics’ Eric Reynolds’ five-word review of the film (with a two-sentence introduction).

WFA is dead, long live WFA: The new fangirls who will be leading the attacks of When Fangirls Attack introduce themselves here, and here’s their first post. Good luck ladies; I look forward to stealing links from you in the future!

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