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Red state, boo state: the politics of horror?

November 11th, 2008
Author Kevin Melrose

A too-brief article in the San Diego Union-Tribune suggests that, with the election of Democrat Barack Obama, we may be due for another wave of vampire fiction. Specifically, movies and TV series.

The writer, Peter Rowe, points to True Blood, Twilight and Let the Right One In as harbingers of “a new cycle of vampire films and television shows,” and finds a handful of experts to prop up a theory that a Republican administration provides a breeding ground for zombie flicks, while a Democratic White House spawns bloodsucker movies.

Or maybe they’re simply socio-political indicators: Annalee Newitz of io9.com points to the uptick in zombie movies that coincided with the election of President George W. Bush in 2000. Rowe continues along that line with a laundry list of zombie films released in the Reagan and Bush eras, and vampire movies released during the Carter and Clinton administrations.

What’s the correlation? The assembled experts theorize vampires are less-threatening monsters that signal “hopefulness,” while zombies may represent fears of “a revolt of the poor and disenfranchised.” (Those don’t sit well with the article’s pitchfork-wielding commenters, some of whom still may be smarting from last week’s election.)

While there’s obviously a connection between political climate and horror fiction, Rowe’s argument is a little unconvincing.

Sure, Jimmy Carter’s tenure in the White House saw the Frank Langella Dracula and Love at First Bite, but it also experienced Alien Dead, The Children, and a slew of Italian films. (Hey, if Rowe can cite the Swedish Let the Right One In, I can mention zombie flicks from Italy.) And while Bill Clinton’s two terms were stalked by Interview with the Vampire, Buffy the Vampire Slayer and Angel, they also were pursued by Return of the Living Dead 3, a Zombie Bloodbath trilogy and Cemetery Man.

Likewise, the current administration coincided with two Blade movies and a TV series, two installments of Underworld, a 30 Days of Night adaptation, and a short-lived Moonlight show, among others.

So, perhaps Rowe is doing a bit of cherry-picking.

There’s also a problem with his opening examples. True Blood, Twilight and Let the Right One In may indeed be part of “a new cycle” of vampire TV shows and movies, but their timing probably isn’t a political predictor. In fact, they’re all adaptations of earlier books, some of which date back to the beginning of the Bush administration. (Charlaine Harris’ “Southern vampire” series, on which True Blood is based, began in 2001. John Ajvide Lindqvist’s Let the Right One In was published in 2004.)

So, does the hypothesis fare any better in the world of comic books? No, not really.

Marvel’s Tomb of Dracula, for instance, was born in the middle of the Nixon administration, a reaction not to partisan politics but to the defanging of the Comics Code Authority. Vampirella, too, was a product of that era. And Oscar Greenberg of Greenberg the Vampire fame came out of the Reagan years.

More recently, 30 Days of Night was released in 2002, early in President Bush’s first term — shortly before The Walking Dead debuted. So, I guess we can put the latter in the zombie-Republican column.

But what about the werewolves? I guess they’ll have to wait until an Independent gets elected. A very hairy Independent …

 
14 Responses to “Red state, boo state: the politics of horror?”
  1. Mark Engblom Says:

    “The assembled experts theorize vampires are less-threatening monsters that signal “hopefulness…”

    “Hopefullness”? Really?

    Who are these “experts”?

  2. wombat Says:

    “socio-political”
    when i read that, i stop reading.

    Used exclusively by high school kids and nerds.

  3. Kevin Melrose Says:

    I have a similar reaction to “wombat.”

  4. Ken B. Says:

    When you burp you are more like a conservative and when you fart you are more like a liberal.

  5. Jack Harkness Says:

    “Who are these “experts”?”

    The people quoted in the original article, Mark. Lordy, it’s going to be a fun watching you slowly lose your mind and get all worked up over absolutely nothing for the next eight years.

  6. Mark Engblom Says:

    What you read as rage is actually befuddled bemusement, Jack. Unlike your side, I can accept an election’s results and move on with my life.

    As for the “experts”, here’s what we’ve got:

    • Robert Thompson “professor of television and popular culture”

    Again I say “really”? You can be a professor of television and pop culture? Really?

    • Larry Rickels “a UC Santa Barbara professor of German and comparative literature.” Maybe he’s related to Don Rickels….since he’s gotta be joking when he makes this daft, random comparison between monsters and political parties.

    I suppose the Green Party is…what…the Creature from the Black Lagoon? The Invisible Man? Gorgo?

    • Annalee Newitz “editor of 109.com, a pop culture web site”. Wow. An editor of a web site. Say no more. I stand corrected.

    • Peter Dendle “a Pennsylvania State University professor of English and author of “Zombie Movie Encyclopedia”

    Well, who am *I* to question the author of the Zombie Movie Encyclopedia? It’s like questioning Albert Einstein when he compares werewolves to the number pi.

    • Chera Kee “a University of Southern California doctoral candidate studying these cultural icons…”

    Really? You can study vampires and zombies for a doctorate? Really?

    Yeah, that’s quite the Round Table of cerebral horsepower there….though it’s not exactly helping out the already laughable reputation of isolated academics and people who elevate pop cultural detritus to the level of serious academic study.

  7. majorjoe23 Says:

    An interesting theory, though two of the best zombie films, Night of the Living Dead and Dawn of the Dead came during democratic administrations. It was shortly before big wins for the Republicans for each film.

    The prototypical vampire movie, Dracula, was released in 1931 during Republican Herbert Hoover’s administration. But again, this was shortly before a big political shift for the country (FDR).

    Meanwhile, 1985′s Fright Night didn’t work well as a political predictor.

  8. Kevin Melrose Says:

    “Yeah, that’s quite the Round Table of cerebral horsepower there…”

    You were expecting, what, vampire slayers and zombie hunters?

    I obviously don’t buy the article’s premise, but there’s nothing lacking in the credentials of the sources.

  9. majorjoe23 Says:

    Mark, what kind of zombie/vampire expert credentials are you looking for?

  10. Deathstroke Says:

    Albert Einstein compared werewolves to pi? How did I miss that?

  11. Percival Constantine Says:

    “Again I say “really”? You can be a professor of television and pop culture? Really?”

    Yes, you can. Just like you can be a professor of religious studies and a professor of literature, you can also be a professor of television and popular culture.

    “Larry Rickels “a UC Santa Barbara professor of German and comparative literature.” Maybe he’s related to Don Rickels….since he’s gotta be joking when he makes this daft, random comparison between monsters and political parties.”

    Horror movies are strongly influenced by society. For example, the 50s saw a lot of alien movies and “who can you trust” type movies like Invasion of the Body Snatchers, a correlation to the Red Scare and McCarthyism. And in the 80s, you saw a lot of body horror movies influenced by the rise of the AIDS epidemic.

    “Well, who am *I* to question the author of the Zombie Movie Encyclopedia? It’s like questioning Albert Einstein when he compares werewolves to the number pi.”

    That analogy makes no sense. Werewolves aren’t part of physics. But horror films are part of culture and films are an extension of literary study. And when you study literature, you also study the society in which that literature was created, because society influences art. So a comparison between monsters and political parties is not that crazy.

    There’s a little thing I notice Red Staters have a problem with. It’s called RESEARCH. You might want to try it before you start to shoot your mouth off.

  12. Jack Harkness Says:

    “There’s a little thing I notice Red Staters have a problem with. It’s called RESEARCH. You might want to try it before you start to shoot your mouth off.”

    Note that none of Engblom’s criticisms are really directed at the arguments made by the experts cited in the article; instead, the very idea of expertise is what Engblom disdains.

  13. Joe Says:

    Vampires represent hopefulness? An undead soulless bloodsucking people represent hopefulness? And an undead mindless drone whose sole purpose is to consume the flesh of humans represent the poor? I’d say they’re more akin to the rich and middle class respectively, but who am I to say, I’m no website editor.
    Seriously though, they started out as folklore. Vampires became popularized through Bram Stoker’s Dracula which was more about the transition from old beliefs and thoughts to more modern concepts; from superstition to science, and sexuality.
    Night of the Living Dead may have had a message in its undertones, but 40 years later that message is lost on me and it’s just a scary movie to me (one of the best scary movies though). I’m not saying these monsters can’t be used for commentary, but that comes more from the specific tones, themes, and plot of the movie and not the monsters used.

    But like I said, I’m no expert, just a Creative Writing major trying to make it through college. =P

  14. Yawn Says:

    Lol,funny post Mark!

    I must say though,vampires are way more threating then zombies.Smart,fast,powerful,etc,ect,ect.

    While the most famous form of zombies are slow stupied and easily beaten.

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