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	<title>Comments on: I ♥ Extras</title>
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	<description>The Blog@ Team and prominent comics personalities share what’s on their minds.</description>
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		<title>By: Successful</title>
		<link>http://blog.newsarama.com/2008/07/16/i-%e2%99%a5-extras/comment-page-1/#comment-564158</link>
		<dc:creator>Successful</dc:creator>
		<pubDate>Mon, 17 Jan 2011 20:10:38 +0000</pubDate>
		<guid isPermaLink="false">http://blog.newsarama.com/?p=8818#comment-564158</guid>
		<description>yacht, boat Please insert a URL or HTML Link</description>
		<content:encoded><![CDATA[<p>yacht, boat Please insert a URL or HTML Link</p>
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		<title>By: John Jakala</title>
		<link>http://blog.newsarama.com/2008/07/16/i-%e2%99%a5-extras/comment-page-1/#comment-447141</link>
		<dc:creator>John Jakala</dc:creator>
		<pubDate>Thu, 17 Jul 2008 02:27:28 +0000</pubDate>
		<guid isPermaLink="false">http://blog.newsarama.com/?p=8818#comment-447141</guid>
		<description>David -

I posted a follow-up list of &quot;extra extras&quot; over on my blog and &lt;i&gt;Emma&lt;/i&gt; was one of the series I mentioned as having great extras.  And I&#039;m kicking myself for forgetting &lt;i&gt;Love Roma&lt;/i&gt;!  I loved the many &quot;Bonus Tracks&quot; and the back covers showcasing scenes from each chapter.

Bully -

I agree:  A well-done pin-up can say a lot and isn&#039;t just filler.  I remember John Byrne doing pin-ups of the FF characters as well during his run, and I think he had the characters sign their names, too.

Jim -

Yeah, my copy of &lt;i&gt;ASM Annual #15&lt;/i&gt; got read to a pulp, too.  I eventually sold it off with a lot of my older comics.  Luckily the main story was reprinted in &lt;i&gt;The Complete Frank Miller Spider-Man&lt;/i&gt;, but I&#039;m bummed that I don&#039;t still have a copy of that &quot;How Strong...?&quot; back-up.

Dwight -

You know, I know I read the Giffen/Bierbaum &lt;i&gt;Legion&lt;/i&gt;, but I can&#039;t for the life of me remember what the text features were.  It reminds me of Moore&#039;s text features in &lt;i&gt;Watchmen&lt;/i&gt;, though, which I remember thinking were so clever at the time.  I can&#039;t believe I forgot to include those.  I guess it just goes to show:  There are so many great extras that have been done over the years, it&#039;s easy to overlook many of them.  That&#039;s why it&#039;s great to hear others&#039; recollections, because it sparks so many more of my own.</description>
		<content:encoded><![CDATA[<p>David -</p>
<p>I posted a follow-up list of &#8220;extra extras&#8221; over on my blog and <i>Emma</i> was one of the series I mentioned as having great extras.  And I&#8217;m kicking myself for forgetting <i>Love Roma</i>!  I loved the many &#8220;Bonus Tracks&#8221; and the back covers showcasing scenes from each chapter.</p>
<p>Bully -</p>
<p>I agree:  A well-done pin-up can say a lot and isn&#8217;t just filler.  I remember John Byrne doing pin-ups of the FF characters as well during his run, and I think he had the characters sign their names, too.</p>
<p>Jim -</p>
<p>Yeah, my copy of <i>ASM Annual #15</i> got read to a pulp, too.  I eventually sold it off with a lot of my older comics.  Luckily the main story was reprinted in <i>The Complete Frank Miller Spider-Man</i>, but I&#8217;m bummed that I don&#8217;t still have a copy of that &#8220;How Strong&#8230;?&#8221; back-up.</p>
<p>Dwight -</p>
<p>You know, I know I read the Giffen/Bierbaum <i>Legion</i>, but I can&#8217;t for the life of me remember what the text features were.  It reminds me of Moore&#8217;s text features in <i>Watchmen</i>, though, which I remember thinking were so clever at the time.  I can&#8217;t believe I forgot to include those.  I guess it just goes to show:  There are so many great extras that have been done over the years, it&#8217;s easy to overlook many of them.  That&#8217;s why it&#8217;s great to hear others&#8217; recollections, because it sparks so many more of my own.</p>
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		<title>By: Dwight Williams</title>
		<link>http://blog.newsarama.com/2008/07/16/i-%e2%99%a5-extras/comment-page-1/#comment-447138</link>
		<dc:creator>Dwight Williams</dc:creator>
		<pubDate>Thu, 17 Jul 2008 00:54:40 +0000</pubDate>
		<guid isPermaLink="false">http://blog.newsarama.com/?p=8818#comment-447138</guid>
		<description>The text features from Giffen/Bierbaum² era &lt;b&gt;LSH&lt;/b&gt; stories always struck me as a solid collection of backstory/subplotting material...seriously cool stuff, it was.</description>
		<content:encoded><![CDATA[<p>The text features from Giffen/Bierbaum² era <b>LSH</b> stories always struck me as a solid collection of backstory/subplotting material&#8230;seriously cool stuff, it was.</p>
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		<title>By: Jim Dougan</title>
		<link>http://blog.newsarama.com/2008/07/16/i-%e2%99%a5-extras/comment-page-1/#comment-447129</link>
		<dc:creator>Jim Dougan</dc:creator>
		<pubDate>Wed, 16 Jul 2008 22:49:02 +0000</pubDate>
		<guid isPermaLink="false">http://blog.newsarama.com/?p=8818#comment-447129</guid>
		<description>ASM Annual #15 is one of my favorite comics of all time.  I literally read the cover right off of it.  From the O&#039;Neil/Miller/Janson story to that &quot;Just How Strong is Spider-Man?&quot; feature...yeah.  Great stuff.</description>
		<content:encoded><![CDATA[<p>ASM Annual #15 is one of my favorite comics of all time.  I literally read the cover right off of it.  From the O&#8217;Neil/Miller/Janson story to that &#8220;Just How Strong is Spider-Man?&#8221; feature&#8230;yeah.  Great stuff.</p>
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		<title>By: Bully</title>
		<link>http://blog.newsarama.com/2008/07/16/i-%e2%99%a5-extras/comment-page-1/#comment-447099</link>
		<dc:creator>Bully</dc:creator>
		<pubDate>Wed, 16 Jul 2008 19:30:29 +0000</pubDate>
		<guid isPermaLink="false">http://blog.newsarama.com/?p=8818#comment-447099</guid>
		<description>Indeed! I especially love the pin-ups in the 1960s Marvels. You might argue they take one story page away from the comic, but they&#039;re a very fun way for the artist to stretch his chops and frequently the pin-ups themselves tell little quirky background details about the character (especially in the way they &quot;autograph&quot; them). Kirby was the master of these, especially in &lt;I&gt;Fantastic Four&lt;/I&gt;...as if you wrote in to Ben Grimm asking him for a photograph, and this is what he&#039;d send you. Bravo for extras!</description>
		<content:encoded><![CDATA[<p>Indeed! I especially love the pin-ups in the 1960s Marvels. You might argue they take one story page away from the comic, but they&#8217;re a very fun way for the artist to stretch his chops and frequently the pin-ups themselves tell little quirky background details about the character (especially in the way they &#8220;autograph&#8221; them). Kirby was the master of these, especially in <i>Fantastic Four</i>&#8230;as if you wrote in to Ben Grimm asking him for a photograph, and this is what he&#8217;d send you. Bravo for extras!</p>
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		<title>By: David Welsh</title>
		<link>http://blog.newsarama.com/2008/07/16/i-%e2%99%a5-extras/comment-page-1/#comment-447092</link>
		<dc:creator>David Welsh</dc:creator>
		<pubDate>Wed, 16 Jul 2008 18:39:31 +0000</pubDate>
		<guid isPermaLink="false">http://blog.newsarama.com/?p=8818#comment-447092</guid>
		<description>The omake in Kaoru Mori&#039;s &lt;i&gt;Emma&lt;/i&gt; (CMX) are some of the funniest biographical comics I&#039;ve ever read, and they offer interesting insights into her creative process to boot.  In &lt;i&gt;Nana&lt;/i&gt;, Ai Yazawa always throws in some pages of meta-serial in the back, generally featuring supporting characters complaining about how little page time they get.  There were some similarly great shorts in Minoru Toyoda&#039;s &lt;i&gt;Love Roma&lt;/i&gt;, featuring one-off characters plotting a coup to take over the comic.

In general, I&#039;m always a sucker for useful translation and cultural notes.  I think Del Rey and Dark Horse are the most generous with those, more often than not, those several other publishers provide them as well.</description>
		<content:encoded><![CDATA[<p>The omake in Kaoru Mori&#8217;s <i>Emma</i> (CMX) are some of the funniest biographical comics I&#8217;ve ever read, and they offer interesting insights into her creative process to boot.  In <i>Nana</i>, Ai Yazawa always throws in some pages of meta-serial in the back, generally featuring supporting characters complaining about how little page time they get.  There were some similarly great shorts in Minoru Toyoda&#8217;s <i>Love Roma</i>, featuring one-off characters plotting a coup to take over the comic.</p>
<p>In general, I&#8217;m always a sucker for useful translation and cultural notes.  I think Del Rey and Dark Horse are the most generous with those, more often than not, those several other publishers provide them as well.</p>
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