At the 4thletter blog, contributors Hoatzin and David Brothers spot something awfully familiar about Greg Land’s cover art for Uncanny X-Men #500, unveiled this weekend at Wizard World Los Angeles. Specifically, the artist appears to be reusing faces and bodies for several characters — in some cases, on the same cover.
The second link provides an animated image that illustrates, among other things, how Emma Frost’s body has previously been used by Storm and Ultimate Invisible Woman, and how Pixie played the role of Scarlet “O-Face” Witch.
March 17th, 2008 at 10:51 am
Greg Land is an amazing tracer.
March 17th, 2008 at 11:03 am
I don’t quite get the beef people have with Greg Land.
I mean, if it looks good, it looks good. Right?
Who cares if it’s photo-referenced or traced or anything else. The end result is all that matter. The final product.
Of course, if it’s a case of people getting a kick out of playing the “gotcha” game, then I guess there’s that.
Otherwise, what’s the big deal? It’s nice, neat, clean art. It looks good.
March 17th, 2008 at 11:13 am
He’s not even trying anymore, is he?
March 17th, 2008 at 11:14 am
As long as he keeps working like this, he at least needs to really start shooting his own models. Guys like him and Mack, the lazy fuckers get page rates. Go buy a camera and shoot your own stuff and be a little more classy about it. At least they’ll be tracing their own “work”, instead they skim through porn sites and take screenshots from their DVD collections etc.
March 17th, 2008 at 11:15 am
The true issue is that these are copyrighted images from various places, so there is liability.
Secondly, the X-men gig gets a pretty good page rate. In some ways, you can see an artist like Greg Land, who doesn’t even used photo reference but appears to be lightboxing or tracing at this point, taking a good paying job from another artist who does their own work.
Finally, lazy art is really something as fans that we should not support. It encourages lowered standards and makes it very hard for people to take comic books seriously as an artform. This kind of work would not be tolerated anywhere else and in no other medium. Why should we treat comics any differently?
The very surprising thing is that David Mack’s Cover got pulled and this thing still stays up.
March 17th, 2008 at 11:17 am
A lot of artists use photo references, yes. But a lot of artists don’t constantly have female characters depicted in mid-orgasm, or use the same body model 3 times in a single image for 3 different characters.
When you see stuff like this over and over and over, particularly the incredibly inappropriate use of the “O-Face” on Pixie, it really draws you out of the art. As an artist, Land is supposed to be depicting a characters mood, but he is limited by whatever expressions he can trace from his photo albums.
March 17th, 2008 at 11:18 am
(oops hit enter before I was done)
Which makes it all the more insulting when I see SUPER fucking talented rookies having to kiss editors asses at cons just to barely get noticed. I don’t understand how any of these young guys can take any advice on their work or future career from editors who continually work with this sort of hackery seriously at all. In-fucking-sulting.
(sorry for the toilet-talk)
March 17th, 2008 at 11:23 am
I think it’s a bit unfair to lump Mack in with a “lazy fucker” like Land. Yes, he shouldn’t have made the swipe on the New Avengers cover, and his re-done one looks better, but the guy is a really talented Writer/Artist/Painter in his own right. It’s an injustice that none of Land’s stuff has ever been pulled (not to mention that he gets high-profile gigs) despite the fact that he does this all the time.
March 17th, 2008 at 11:35 am
I can see why Marvel gives Land work. He sells very well. He’s loved by fans as seen by Comment number 2. For the most part, most people don’t even notice the lack of quality in his work if they are not reading closely.
As long as Land’s work stays out of the eyes of the original copyright holders, then I could see a case for the high sales being worth having him on the book.
Is it the fans fault for not paying attention to the visual storytelling? Is it Marvel’s for putting a beloved but obviously dubious artist on one of their flagship books?
I don’t really mind spreading the blame here on both.
March 17th, 2008 at 11:41 am
I’m not getting into any sort of debate about whether these guys can really draw at all, Mack clearly has skill, and I know Land can be/used to be a talented artist aside from this sort of stuff as well.
But when you see something as blatant as the Mack cover (and I wasn’t really lumping as much as citing another recent super-swipe – I remember that Magneto/HoM promo stuff from a few years back as a another example of “lazy fuckery”), you don’t get a pass on that because you used to do good or original stuff. That’s hack, lazy work, period.
And as an aside, I’d assume if Mack was ballsy enough to try and slip that cover through, and of course with only my speculation as I’ve not got any proof (because I’m too lazy to look), I doubt this is the first time he’s done something like it before.
And again, no problem with photo-ref (because I’m not a hypocrite!
), but using your own models and photo’s would alleviate so much of this sorta crap. And also, not make these guys lazy assholes (o snap!).
March 17th, 2008 at 11:44 am
As “Smarty” said, it’s the end result that matters. The final product. And when the final product is full of facial expressions that don’t even remotely match the dialogue, devoid of emotion, and completely static and lifeless, the final product is an abject failure.
Tracer or not, the fact remains that Land is one of the worst sequential artists in the business. His artwork is completely dead, there is no sense of motion or fluidity, and I am frankly baffled that anyone can be aesthetically retarded enough to enjoy his “work.”
March 17th, 2008 at 11:58 am
“Aesthetically retarded?”
Wow. Anyway, again, I like his art, so… y’know, whatever. Everyone likes what they like and so on and so forth.
March 17th, 2008 at 12:04 pm
There’s a difference between what Greg Land does and that NEW AVENGERS cover (or, for that matter, the notorious HOUSE OF M Magneto image). Those covers were simply a single pre-existing image with some minor changes. Land, in general, copies individual poses which then become elements in a new page. He copies, but he also changes the context.
He’s still massively over-reliant on photo reference, and the end result is usually glossy, airbrushed and banal. But it’s not JUST a copy.
March 17th, 2008 at 12:36 pm
Did he photo reference Wolverine’s arm? Because that’s a really big damn arm.
March 17th, 2008 at 1:14 pm
His new gimmick seems to be mix-and-match photoreferencing — a HHH arm here, a Vin Diesel growl here, a Brad Pitt leg and you’ve got a …. fucked-up chimera that looks kind of like Wolverine!
March 17th, 2008 at 2:24 pm
As long as Land’s work stays out of the eyes of the original copyright holders, then I could see a case for the high sales being worth having him on the book.
Then our mission is clear; we need to start sending this shit to every single one of the copyright holders that Land steals from, forcing him to either a) do some goddamned work of his own or b) get the fuck out of the comic industry, either of which would be fine by me.
March 17th, 2008 at 2:40 pm
Maybe theres a reason he’s sharing artistic duties on this book…maybe Marvel has a had a talk with him already.
See, say what you want about him, Land hits his deadlines really well (I think the Ultimate Power mini-series delays were due to the writers or the overall direction the series was going).
He traces, but hits his deadlines despite the amount of detail he puts in his work. I mean, lookit ULT FF he did with Millar, I remember no significant delays, and outside of a little bit of help on the some pages (by that dude who draws like John Cassady)…he did 12 issues straight.
So hopefully, by him sharing art duties, it’ll allow him to slow down and actually trace less, since he’ll be getting a higher page rate, and more time to work per issue.
Theres a lot I like about Land, and a lot that I hate.
But if he pulls away from tracing too much, and avoids the porn swipes (those need to immediately go), I think his work would be really powerful (his Beast in the right hand corner of that cover looks awesome), and his panels would be much less distracting And this is coming I’m a fan who usually prefers more stylized work.
March 17th, 2008 at 2:55 pm
There’s more to hate than like. His stuff is stiff and lifeless. His work is like colorforms. Each figures seems to have nothing to do with the scene or the character standing next to it. But at least each figure works on it’s own unlike that other hack job “Greg” Greg Horn who takes a face from one photo and an arm from another photo and a torso from another and doesn’t even change the lighting source to match on all of them.
March 17th, 2008 at 2:59 pm
Greg Land’s work really creeps me out… I like porn as much as the next guy, but his stuff, well it is just so… wrong. And often it doesn’t fit (I’m looking at you Ultimate Powers). I no longer buy anything he “illustrates”.
March 17th, 2008 at 3:07 pm
I remember his work for crossgen being far more dynamic and less static than what he’s been doing for marvel, or maybe I just wasn’t paying as much attention back then. Does anybody have old copies of Sojourn lying around? How lifeless was it?
March 17th, 2008 at 4:32 pm
I sold my Sojourn paperbacks a while ago but I thought the art and storytelling were pretty good, even after swipe-related disillusionment. Maybe not the most groundbreaking story ever, but a fun fantasy yarn. I think he’s got lazy since, though, to put it mildly.
March 17th, 2008 at 9:20 pm
@Smarty (#2 comment above) – My beef is that the art, although extremely polished and rendered well, is full of recycled faces/poses and illustration that doesn’t fit the storytelling.
Check out this collage I put together based on Phoenix: Endsong. I really wanted to enjoy the story, but with every page I just found myself saying, “Why is she striking a pose like that while fighting? And wasn’t another girl posed just like that a few pages back? Why do Emma Frost, Jean Grey, Emma’s teenage student, and Storm all have the same face and hair? Why does that woman have such a strange expression? Didn’t Sue Storm have that same hair and expression in that other preview art I saw online?” It didn’t serve the story at all – it just distracted.
Maybe he would shine more if he focused only on covers and pin-ups and put all of his effort into those (and that effort included creating his own photoreferencing source material). I’m not sure how suited he is to sequential storytelling art.
March 17th, 2008 at 10:05 pm
Kitty, something on your page just made my virus checker go Malware-crazy:
metrokittyDOTCOM/etc/gamequotes/muc/check.js
Don’t know if that means anything to you, but I thought I’d let you know.
//\Oo/\\
(Note to self: 2am is not the best time for your laptop to shout AWOOOOOGGAA)
March 17th, 2008 at 11:13 pm
The thing is a couple of months ago at the store I was filing some old Dixon/Land Nightwings away and I started leafing through them and I honestly couldn’t recognize the work as Land’s. I had to go back and check several different issues to be sure, but there it was: non-traced, non-porno, non-static and lifeless art from Greg Land circa, what, 5, 6 years ago? What happened? What made him go “Wait…porno.”
I mean, I know what makes me go “Wait, porno,” but still…
March 17th, 2008 at 11:30 pm
Thanks for the heads-up, Matthew, and apologies for the alarm! That’s bad news – I’m cleaning up those directories now.
March 18th, 2008 at 3:21 pm
I remember a few pretty obvious recycles of drawings from Land’s late 90′s/early 00′s DC period (Nightwing, BOP, etc.), but I think they seemed to occur at least at a pretty reasonable frequency; certainly not to the ridiculously egregious extent they occur at today.
And I’m not sure his artwork in those days was stolen, either.
March 19th, 2008 at 10:40 pm
“I mean, if it looks good, it looks good. Right?
Who cares if it’s photo-referenced or traced or anything else. The end result is all that matter. The final product.”
That’s just it. It DOESN’T look good. It looks like warmed-over, recycled bad Photoshop work. And even at that, the figure work is ridiculously static and lifeless. There’s no sense of believable movement.
I really wish people would stop giving this guy a pass just because his “art” is “clean” and his women are “hot.” Hackwork is still hackwork.
March 20th, 2008 at 1:30 pm
The man can draw pretty faces. That much I’ll admit.
The thing is, all those faces are the exact same faces, and they all seem to be in the middle of orgasm.
It’s very jarring to see that Sue Storm and Arcanna Jones are apparently the same people, and it’s very, very distasteful to see a teenager like Pixie in that pose.
It’s probably fine if you ignore it, or can’t notice it all, but at this point, only dullards wouldn’t notice Land’s disregard for his craft.
March 20th, 2008 at 9:37 pm
I think the worst part is when people do notice Land’s lack of craft, but make excuses for it and try to justify it. The second comment on this entry pretty much embodies that, and it’s not the only time I’ve seen Land’s stuff defended on the basis that “it looks good and that’s all that counts.”
March 21st, 2008 at 8:56 pm
They’re not even the same people. I’ve seen lenty of Land panels where he’s so faithfully traced different models for the same character she doesn’t look at all like the same person… on a single page!
Look how Sue Storm morphs from panel to panel. Her hair goes through multiple style changes in the space of seconds.
That is sorriness. Too bad he sells because he sucks.
Also I sent one of his thefts/tracings to the original photographer but he never replied. Must not care.
But I do. I buy craft not crap.
March 21st, 2008 at 8:59 pm
Plenty not lenty. Oops!