Remember last month when Ned Beauman wondered on The Guardian’s book blog why comic writers aren’t tackling global politics? Apparently, Steven Wells didn’t get the memo, as he laments the lack of “great Iraq war novels” while noting that “the comic — that much despised naughty monkey cousin of the novel — has been all over the war on terror from day one.”
By far the most memorable fictional image of the war to date is the action figure of the zombie Colonel America. Or more specifically, the image on the side of the packaging showing the gore-smeared former embodiment of liberty with bald eagle chicks nesting in his sliced-open skull. In the comic series Marvel Zombies (from which the action figure is taken) the Colonel and his fellow zombie American superheroes rampage across the planet, eating mankind. Then they kill and eat the cosmic superbaddy Galactacus and use his mojo to fly off and eat the rest of the galaxy.
In another graphic take on the presidential prerogative, British writer Warren Ellis’ Black Summer, a mentally ill liberal superhero walks into the White House and kills the president. “If a self-identified crime fighter lives in a country where a president can be said to have prosecuted an illegal war and therefore can be said to have killed a great many people in the enactment of his criminal enterprise – what does that masked man do?” asks Ellis.
But it’s not all gore-slinging peaceniks. The fence sitters have also been out in force. In Pride a post-Disney family of lions are liberated from Baghdad zoo by US bombing. They then fight and kill a nasty fascist bear (with a penchant for torture), and are promptly gunned down in the street by US troops. The motto — freedom can be fatal. Or something.
I haven’t read any of Marvel’s zombie books, but the idea of zombie-Captain America & His Decaying Friends as a metaphor for American aggression is kind of interesting, if perhaps unintended. Or maybe it is intended? I don’t know.
Anyway, take that, Ned Beauman.
October 3rd, 2007 at 8:34 am
Zombies taking over the planet isn’t a metaphor for the current world situation. It’s every zombie story *ever*. Killing everything in the world is just what zombies do.
October 3rd, 2007 at 9:13 am
Don’t forget Elllis’s Crecy, which is a fine metaphor for the war on terror… except the British are the insurgents… or patriots, whichever.
October 3rd, 2007 at 9:20 am
To paraphrase Freud: Sometimes a zombie is just a zombie, Jombi.
October 3rd, 2007 at 9:49 am
Nah, in Crécy we’re the unwanted occupiers. Also, mass use of the longbow was medieval shock and awe.
Joan of Arc was the original insurgent.
October 3rd, 2007 at 10:19 am
Uhh, you’re talking about comic book writers and Iraq and you don’t mention Warren Ellis’s “Black Summer”?
October 3rd, 2007 at 10:24 am
It’s mentioned in the second paragraph of the excerpt.
October 3rd, 2007 at 10:56 am
I can’t read
October 3rd, 2007 at 11:17 am
Zombies are always a metaphor for something.
How about Army @ Love? That’s a satire with teeth.
October 3rd, 2007 at 12:11 pm
I’m not sure how anyone could think comics writers aren’t tackling the War ot Terror and the war in Iraq.
Mark Waid’s Executive Action in his FF run was one big justification for the Iraq invasion.
Bendis’s Avengers run from day one has been about a scoiety infilitrated by an outside enemy.
Some little Mark Millar series called Civil War was about nothing but the balanace between civil rights and the war on terror (and comes down squarely on the wrong side).
October 3rd, 2007 at 12:32 pm
Joe Kelly’s JLA is so grossly underrated.
October 3rd, 2007 at 12:51 pm
There are many metaphors in today’s comic books to what’s going on in the world, but taking on the core of the war on us isn’t being dealt with in comics. Our obsession with ourselves in this war is just another way to avoid the Jihad against us.
October 3rd, 2007 at 1:04 pm
I think that reading of Colonel America is a pretty novel bit of interpretation. Made me laugh and it seems pretty apt.
October 3rd, 2007 at 2:25 pm
And what of Chuck Dixons American Power?
October 4th, 2007 at 7:46 am
I love to see more comics with thinly veiled metaphors justifying the Iraq war…because there’s nothing more patriotic than a bunch of middle-aged, overweight, pasty nerds using comic book fiction to justify sending kids overseas to get blown up.
I used to prefer my comics to tackle issues of the day, but it’s all too easy for these guys to sit in their studios and homes and come up with barely disguised agitprop justifying a war they, themselves, are unwilling to go and fight.