After being felled last week by some sort of alien virus, I’m back for another installment of “Meanwhile,” our weekly tour of the comics blogosphere.
This week sees discussion of the current state of DC Comics, a new home for refugees of The Engine, the return of one of my favorite comics bloggers … and Batman’s opinion of punk music.
For all of that and more, read on.
Hot Topic: DC is counting down to … something
Valerie D’Orazio, a former assistant editor at DC Comics, envisions grim times ahead for the publisher — or at least the “current regime,” which she doesn’t see “lasting any more than 6-12 months tops.” Grim, indeed.
D’Orazio goes on to chronicle what she views as the company’s recent mistakes, ranging from an “serious personality flaws” artificially imposed upon characters to lack of innovation to putting all of its superhero eggs in one flimsy basket (Countdown). Her conclusion: DC is worse off than it was before Dan DiDio took over the editorial reins.
On her personal blog, our own Melissa Krause responds to D’Orazio’s analysis, and addresses many of her individual points: “… [I]f Marvel Zombies actually counts as innovation, I’ll eat my hat.”
Tom Spurgeon, meanwhile, offers his own measured assessment of DC’s current dilemma:
My own take on DC’s recent Direct Market mini-slump is that they’re simply scrambling a bit after a failed attempt to shift the momentum from a line driven by a succession of big event books (Infinite Crisis) into a line driven by strong, regular, ongoing titles (”One Year Later”). My hunch is that this failure was caused by a little bit of a lot of things: they didn’t really hit the landing editorially, they no longer have as many mechanisms as one might wish for to support regular and ongoing titles, and the system overall remains oriented towards big, line-wide events which Marvel, not DC is providing. This puts more pressure on their Countdown series than it’s probably designed to handle, sends the market scrambling after more event-ish DC Comics many of which only come out intermittently, and locks everyone’s focus in on their next big crisis event series in a way that makes them look like they’re pressing. If they had been able to transfer their big event sales momentum to more of the regular titles, a lot of the editorial culture’s perceived shortcomings would still be in existence, it would just be swept under the rug of strong sales.
From the ashes of The Engine …
As the clock ticks down on Warren Ellis’ The Engine forums, migration has begun to the new Panel and Pixel, where writer B. Clay Moore is promoting the new Hawaiian Dick series — the delightfully named Screaming Black Thunder – and artists are showing off their portfolios. One of my favorites so far is Matthew Humphreys, who’s undoubtedly getting job offers as I type this.
Welcome back, Rachelle
One of my favorite comics bloggers, Rachelle Goguen, is back from her month-long band tour, and she has reviews, including one for the latest issues of one of my favorite series, The Immortal Iron Fist: “I want to pick up a controller and play this comic book.”
Shotgun beats paper every time
I don’t really play video games, and know virtually nothing about them, but I’m enjoying the new Rock, Paper, Shotgun blog from a handful of gaming critics and journalists, including Phonogram writer Kieron Gillen.
You say “kodomo,” I say … huh?
Leah at Hobotaku has put together a handy dictionary of anime and manga terms that covers everything from “bishonen” to “yaoi.”
Once upon a chart
Matt Brady – not the Newsarama version — reviews the 11th volume of Brian Azzarello and Eduardo’s Risso’s stellar 100 Bullets, and breaks out his trusty character chart (warning: spoilers!) to keep track of the maze of alliances, betrayals, sexual liaisons and murders. It’s awesome — like something you might see in an episode of The Wire.
Have guns, will chastise
With the recent announcement that Robert E. Howard’s Solomon Kane will return next year in a series from Dark Horse, Steve Flanagan takes an interesting two-part look at the Puritan adventurer.
James Sime asks the important question




August 24th, 2007 at 10:33 pm
In a recent Robin issue Bruce claimed to be a fan of The Clash. What a flip-flopper.
August 25th, 2007 at 3:47 am
Ah, this is from Batman : Fortunate Son by Gerald Jones and Gene Ha. I think this was one writers opinion as to his musical tastes and fit with the direction of the story he was trying to tell. I remember Superman in a Joe Kelly run saying he liked Metallica, specifically “…And Justice For All”.
August 25th, 2007 at 1:08 pm
Considering that D’Orazio specifically says Marvel Zombies isn’t innovative, it makes you wonder what else Krause failed to comprehend when reading the piece.
August 25th, 2007 at 11:52 pm
Dweeze — I couldn’t find the words “not innovative” referring to Marvel Zombies, though she does say its trashy and ultra-high concept but she also calls it a “happy accident” and then goes into how DC is streamlining out the “Weird” and her bits about Vertigo formerly being innovative implying that the innovative/weird stuff at Marvel counts Marvel Zombies.
August 25th, 2007 at 11:57 pm
It was a joke, dear.
For the record, I actually admire Marvel Zombies for latching onto a niche market as it did.
I find it funny though that of ALL the hyperbolic rhetoric and stretching of logic that abound in my piece, you’re choosing to latch onto the throwaway quip. Honestly!
August 27th, 2007 at 9:33 pm
Sounds like Bats watched “that” Quincy episode one too many times…
August 27th, 2007 at 10:06 pm
Thanks for the welcome back shout-out! I just noticed it! I’m touched.