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	<title>Comments on: Comics and poetry, together again</title>
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	<link>http://blog.newsarama.com/2007/02/06/comics-and-poetry-together-again/</link>
	<description>The Blog@ Team and prominent comics personalities share what’s on their minds.</description>
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		<title>By: Shirlene Cifuentes</title>
		<link>http://blog.newsarama.com/2007/02/06/comics-and-poetry-together-again/comment-page-1/#comment-566039</link>
		<dc:creator>Shirlene Cifuentes</dc:creator>
		<pubDate>Tue, 18 Jan 2011 02:23:43 +0000</pubDate>
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		<description>Hey great site and I enjoyed it!</description>
		<content:encoded><![CDATA[<p>Hey great site and I enjoyed it!</p>
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		<title>By: RAB</title>
		<link>http://blog.newsarama.com/2007/02/06/comics-and-poetry-together-again/comment-page-1/#comment-72681</link>
		<dc:creator>RAB</dc:creator>
		<pubDate>Wed, 07 Feb 2007 02:50:13 +0000</pubDate>
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		<description>I would have quibbled with Ed Park&#039;s opening statement that &quot;Heightened language -- one possible or partial definition of poetry -- isn’t the first thing one associates with comics&quot; were it not for the fact that the next sentence, and indeed the whole concept behind this experiment, is based on understanding that heightened language is &lt;i&gt;precisely&lt;/i&gt; the nature of good comics writing.  Scripting a comic isn&#039;t prose writing and it isn&#039;t making a screenplay of spoken words (though both of these occasionally come into fashion as stylistic experiments) but a highly compressed form with rules and restrictions all its own.  Likening the verbal aspect of comics to poetry rather than to novels or movies seems like a hugely useful and interesting comparison, and definitely one I&#039;ve never heard before.</description>
		<content:encoded><![CDATA[<p>I would have quibbled with Ed Park&#8217;s opening statement that &#8220;Heightened language &#8212; one possible or partial definition of poetry &#8212; isn’t the first thing one associates with comics&#8221; were it not for the fact that the next sentence, and indeed the whole concept behind this experiment, is based on understanding that heightened language is <i>precisely</i> the nature of good comics writing.  Scripting a comic isn&#8217;t prose writing and it isn&#8217;t making a screenplay of spoken words (though both of these occasionally come into fashion as stylistic experiments) but a highly compressed form with rules and restrictions all its own.  Likening the verbal aspect of comics to poetry rather than to novels or movies seems like a hugely useful and interesting comparison, and definitely one I&#8217;ve never heard before.</p>
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